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» The Ridiculous Japa-Braz»
» Gershwin's Rhapsody in B»
» Bye-bye Studer…
» Choosing Someone to Refu»
» The “Wet and Fuzzy” cabl»
» World's Finest Sounding »
» Vendors’ Egos.
» Avantgarde method of cap»
» My new favorite "Ne»
» A contemporary great CD »
» Paganini's Daemon : A Mo»
» Speaker hunting
» Vinyl Ceremonies: Repeat»
» Chinese upperbass horn.
» A discussion about the a»
» 3012, 312, M2-12 or ... ?
» Dukane 5A540 Compression»
» Has anyone built the DIY»
» The ultimate buffer #2..»
» The FM Radio. What a Hel»
» Micro Seiki SX 111FV Pla»
» Metaxas-Wolfson ADC with»
» Rod Poole 1962-2007
» Mahler: Symphony No. 2 i»
» Mr. Kleen Stylus cleaner
» Wagner and loudness.
» Custom made woofers.
» Horns and digital crosso»
» Dannoy and oxytocin...
» Commentary on Joe's »
» Large La or Tratrix horn»
» Haliaetus: Dick Cheney’s»
» Don’t "use" VTA
» How to mitigate the expe»
» An ultimate transformer »
» Lamm ML2.0 & Lamhorn»
» How Mussorgsky should so»
» Hideous American operas.
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Hillock TV-2 tube tester
Purist Audio Design Pro»
Sansui TU-X1 Tuner
Musatex-TP Bidat 20-Bi»
Micro Seiki RX-5000
Micro-Seiki air-suspend»
Korvet “Egg” Tonearm
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