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» FM and … cables…
» How audio started….
» Compression Drivers -in »
» About the (secret) rules»
» Analog: a reduction of s»
» The unintended consequen»
» Tossy Spivakovsky and Tc»
» Input choke for Low Curr»
» What Passes for "Sp»
» A great article from Pet»
» Jonathan Weiss Introduce»
» The Nationals Anthems
» My beloved Contraltos: k»
» Contributing factors in »
» The ultimate cancer of a»
» Seven hours of live musi»
» The Museatex Bidat pages.
» Vertical Axis Midbass Ho»
» Zebra horns painting?
» Analogue to digital conv»
» Don't evaluate audio by »
» The Thomas Blumenhofer’s»
» "Master Quality Aut»
» To Rip or not to Rip.
» Transparent horns
» The High Resolution PCM »
» Memories of audio elemen»
» William Kapell legacy an»
» It is Miracle
» Bach by Ormandy’s Philad»
» Bye-bye Studer…
» The Multicells HF Horns.
» Audio Covid and some hom»
» Herbie's Hal-O Tube Damp»
» Meitner Audio - Ed Meitn»
» Tritium Turntables
» Digital recorders: what »
» Learning to interpret RTA
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Musatex-TP Bidat 20-Bi»
Electro-Voice T350 twee»
Koetsu Onyx Platinum Ca»
Lamm L2 Reference pream»
Fane Studio 8 dual conc»
REL Precedent 646C tuner
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Kenwood L-02T FM Tuner
Sansui TU-X1 Tuner
Rohde & Schwarz MSDC Mu»
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