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» Integrated sound field o»
» Altec Model 19 in Boston.
» About dymick sparkling.
» Melequiades PSU
» Updated view: The Optima»
» Music & Arts' Stokow»
» Instrumental music vs. o»
» Lamm L1 vs. L2 preamp
» Simpson Microphones thre»
» Many Mani's options: My »
» Battling stupid Horn Cri»
» You Can Play the Record,»
» I have a dream, the drea»
» New Barenboim’s Bruckner»
» Romy, how does the origi»
» Playlists and patience
» Initial thoughts about n»
» The benefits of ultra hi»
» The CD players must read»
» William Ralston Listenin»
» A Scratched Horn.
» Beware of the Arkive Mus»
» Kristian Zimerman BBC in»
» Wagner and loudness.
» Lab JC
» Macondo – Super Melquiad»
» Do not reproduce extreme»
» The DHOFT topology? Do n»
» A very slow monolog abou»
» An angry engineer...
» Building Melquiades: Chr»
» Some Horns propaganda
» Tedeska Cartridges.
» The Verklarte Nacht with»
» The FM Radio. What a Hel»
» Harmonies for Bosch’s Ga»
» Lamm ML2.1 "No long»
» Why I do not love Mahler?
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AUG 1 Chamber Music in Bru»
AUG 2 CASSATT STRING QUART»
AUG 2 Elim Chan, conductor»
AUG 3 Fiddlers Four in Gre»
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Olsen, Ole (4 July 1850-9 »
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Peeters, Flor (4 July 1903»
Ferrara, Franco (4 July 19»
Piazzolla, Astor (11 March»
Micro-Seiki air-suspend»
CEC TL-0 MK2 transport
Rohde & Schwarz MSDC Mu»
Altec 515B bass drivers
Micro-Seiki MAX-282 To»
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Vitavox S2/S3 diaphragms
Kenwood L-02T FM Tuner
Micro-Seiki Arm Board
Korvet “Egg” Tonearm
Purist Audio Design Pro»
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