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My Audio Philosophy
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Kevin Brooks Acoustic Sy»
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Depicting and Visualizin»
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Jonathan Weiss Introduce»
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Shall quality-price be r»
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Macondo – Super Melquiad»
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Use absolute polarity as»
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High End Munich 2023
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Remembering Sound…
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Tchaikovsky’s “Pathetiqu»
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High-End Audio Bass: wha»
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The best audio product o»
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Kenwood L-02T and the hy»
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Who owns what in FM
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Wywires – “Custom” desig»
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Weiss Engineering DAC202
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Bye-bye Studer…
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The Sakuma's Show
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Herbie's Hal-O Tube Damp»
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Multi-amping crossoverin»
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Large Polystyrene Caps
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Direct to Disc: The Brah»
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What is High-End Audio, »
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Kharma Loudspeakers reac»
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Don't position speakers »
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I think about War lately.
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It is Miracle
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How many channels does a»
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Gould's Piano
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Using chairs as phase ra»
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The CD players must read»
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About the audio Sources.
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A passive but elegant pr»
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Rohde & Schwarz EU-6»
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Romy stalked me on the f»
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Training amplifiers
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Macondo Horns: biography.
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Some Audiogon realty
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Classical events in Boston
APR 11
Benjamin Zander, con»
APR 12
Chamber Music in Nee»
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Magdalene Ho, pianis»
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Takács Quartet in Gr»
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In Search of New Wor»
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cellist lynn harrell has di»
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Classical Music News
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a woman takes the podium a»
he wasn’t toscanini, but h»
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another trump blunder»
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Composer's Anniversaries
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Eccles, John ( 1668-12 Ja»
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Pisk, Paul Amadeus (16 May»
Smit (American), Leo (12 J»
Feldman, Morton (12 Januar»
Laitman, Lori (12 January »
My Audio Leftovers
CEC TL-0 MK2 transport
Vitavox AK151 15" bass »
REL Precedent 646C tuner
Altec 808A compression »
Vitavox AK-15/40 15" ba»
Vitavox S2/S3 diaphragms
LF Transformer for 6C33C
Stage Acompany SA8535 d»
Ortofon Mono CG 25 Di c»
Rohde & Schwarz EU-6201»
Fane Studio 8 dual conc»
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