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Audio Knowledge Tree ™
Romy's "Audio Rules"
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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
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» Paradoxes of my Racism.
» The most emblematic reco»
» Class “D” – the industry»
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» Western Electric reprodu»
» Playback and Perception »
» Tolga Kashif's “The Quee»
» SET amplifiers
» Recording/Playback softw»
» Horn loaded ribbons and »
» The 3 things that audio »
» Lamm LP2 phonostage: rev»
» Compression drivers saga
» Playing third cartridge »
» Polish Autotech steps up»
» Non-classical genius (st»
» Weiss Engineering DAC202
» How to build the best au»
» A subwoofer of death, no»
» Cerebral and psychologic»
» What a week in Boston!
» Coaxial design
» So, What's the Story on »
» Fantasies about 10Y
» The Herbert von Karajan’»
» Gould's Goldberg Variati»
» Kloss 5-way horns setup.
» Why horn-loaded loudspea»
» Mstislav Rostropovich Di»
» About DSET-driven multi-»
» How to play Bruckner Sou»
» Bach and kids…
» Shall quality-price be r»
» Engaging the David Haign»
» It's might be anothe»
» NESPA Optical Disc Final»
» Balanchine’s “Pathetique”
» Audiophile Re-issues: Wh»
Bookmarked are red
Boston Philharmonic Orch»
Classic Records UK
Nornan Lebrecht's blog
VIP Records
WGBH alumni
Martha Argerich Site
Solid State Electronics
Tahra Records
The Air This Week
Classical Music Forum
Tuners Stereo Surgeons
Nubes Partem
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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CEC TL-0 MK2 transport
Purist Audio Design Pro»
Ortofon Mono CG 25 Di c»
Korvet “Egg” Tonearm
Altec 515B bass drivers
Vitavox S2/S3 diaphragms
Stage Acompany SA8535 d»
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Sansui TU-X1 Tuner
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Electro-Voice T350 twee»
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