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» Digital recorders: what »
» Hmmm... the sad truth ab»
» Montreal Audio Show 2013
» Smetana's Piano Trio
» Macondo 2.0?
» The CES 2005
» Satisfying result: the R»
» The IDEAL horn system
» The great Corus performa»
» Michael Fremer Continuum»
» Kenwood L-02T and the hy»
» RIP, Joan Sutherland, &q»
» Radiation patterns match»
» RIP Oscar Peterson
» Tomorrow in Boston: Yout»
» Digital crossovers self-»
» The "mystery&am»
» SET and speakers: disreg»
» My new “New” listening r»
» The Brain Inertia.
» Kloss 5-way horns setup.
» Some analysis of the Joe»
» Should I low pass the mi»
» If you are in Bruckner: »
» The single-ended pretens»
» Digital Equalization
» Sound of Ehernet cables?
» Who makes horns? Archite»
» Long time due: Digital P»
» Help with RF loop
» BPO's virtual concert ha»
» About Darwinism of Music»
» A quote from a Japanese »
» Garg wants more horns.
» PS Audio's digital appro»
» Does tube preamplifier V»
» The mono cartridges para»
» Help with Math needed.
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Phono EQ
Hickok Maintenance
Hughs Ominous Tubes
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 12 Takács Quartet in Gr»
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Rohde & Schwarz EU-6201»
LF Transformer for 6C33C
Kenwood L-02T FM Tuner
Sansui TU-X1 Tuner
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CEC TL-0 MK2 transport
Micro-Seiki Arm Board
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Fane Studio 8 dual conc»
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