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» Orphean horns / BMS driv»
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» MTT’s Mahler at 180 ghra»
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» CES 2006
» Drama vs. Chic
» The Museatex Bidat pages.
» SME M2-12 tonearm
» The LavryBlack DA11 Ster»
» In interesting new compa»
» About DSET-driven multi-»
» The foolishness of multi»
» The new FM Classical sce»
» The New York Philharmoni»
» Alicia De Larrocha, Bach»
» Perception of bass?
» List of top 20 conductor»
» Audio and Music: four le»
» Pop-music as a side-disc»
» Melquiades (D-Set) parts»
» His Master Voice’s Shade»
» Monophonic bass: myth an»
» Woman conductor?
» Watching conductors of t»
» Magico new 5 ways idea. »
» "SOTA Technology&qu»
» The 24 bits of Christmas
» Learn to listen your lis»
» Avid Listener --- Stereo»
» Chasing utopian better p»
» The Dvorák’s Tone P»
» To drive the 6C33C...
» The pianist Yuja Wang … »
» An ultimate horn profile?
» Transparent horns
» The best Third Movement »
» Balanchine’s “Pathetique”
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Hughs Ominous Tubes
NPR's SymphonyCast
IMSLP Music Library
Recording Technology His»
Stereopal
The AHRC Research Centre
Truesound Transfers
Duke Classical
Koussevitzky & BSO
Solid State Electronics
FM Radio Query
Perer Gulmann's Classica»
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LF Transformer for 6C33C
REL Precedent 646C tuner
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CEC TL-0 MK2 transport
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Micro Seiki RX-5000
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Purist Audio Design Pro»
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