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» Direct to Disc: The Brah»
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» The contemporary pressin»
» The Shelter 90X: mystery»
» New superlative horn bui»
» Better DAW by a “second”»
» I do not know what else »
» Walter conducting Vienna»
» Yamaha tuners
» The Mozart’s Dorabella a»
» What drives your musical»
» To drive the 6C33C...
» A new 'chic' foolishness»
» Single-stage Melquiades »
» Life 3.0
» Tonality versus Frequenc»
» Education vs Magic
» Placido Domingo... condu»
» RX-5000 Thread tension.
» DAC Recommendations
» Cobbett
» Holly Proscenium idiocy!
» Fun with transformers?
» Avid Listener --- Stereo»
» DA architecture: True M»
» Audio and the “Alzheimer»
» DAW is down… new DAW.
» The best 20 hz bass horn
» D'Agostino/Momentum SS M»
» The “Dead Points of Live»
» How the things are getti»
» Better organization/desi»
» Vasily Petrenko in Bosto»
» ... and some Bruckner bu»
» Downloadable DSD.
» The corrupted listening »
» About the audio Sources.
» Impulse response, short »
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Scriabin's Sonatas
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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a woman takes the podium a»
he wasn’t toscanini, but h»
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another trump blunder»
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‘the lost pianos of siberi»
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it’s (almost) business as »
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Hasse, Johann Adolf (25 Ma»
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von KleinSmid, Meri (16 De»
Lamm ML-2 Single-Ended »
Musatex-TP Bidat 20-Bi»
Vitavox S2/S3 diaphragms
“Tree Blind Mice” colle»
Purist Audio Design Pro»
Electro-Voice T350 twee»
Vitavox 330Hz Horn for »
Conscience of audio rev»
Micro-Seiki Arm Board
Altec 808A compression »
Fane Studio 8 dual conc»
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