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» The real goals of sound »
» Panel with Peter Qvortru»
» Super Melquiades, Macond»
» The mystery of reversed »
» Berlioz Requiem / Pavaro»
» The best album of 2005 s»
» Audio system: my path to»
» BBC: Composer of the Wee»
» Ophelie Gaillard renders»
» SET and speakers: disreg»
» CEC TL0 3.0 trasport
» Big room vs small room
» Plaishner 3-way speaker.
» Andre Previn in Boston.
» DHT driver & input
» Dvorak Cello Concerto in»
» Bass drivers inquiry
» Scientific vs. audio act»
» Antenna solutions for FM
» The Remote System Manage»
» Joaquin Rodrigo’s “Conci»
» Education vs Magic
» The foolishness of multi»
» About DSET-driven multi-»
» What Passes for "Sp»
» The EdgarHorns: the new »
» Stands for Super Melquia»
» Friedrich Kuhlau and his»
» Anyone know this horn fl»
» Dynamic viscose stabiliz»
» The Thomas Blumenhofer’s»
» What is High-End Audio?
» Playing music for visito»
» Plugin for drawing segme»
» Beethoven PVC Trio, Opus»
» Sound of Ehernet cables?
» Input choke for Low Curr»
» The Sound assessment rec»
Bookmarked are red
Exponential/Hyperbolic C»
Orchestra of the Age of »
Vintage EV speakers
Hub Arts
MusicWeb
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John Lenard Burnett's si»
Audio Spot Kamani
Tchaikovsky's Compositio»
Valves Collection
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Unofficial Vitavox Site
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Ortofon Mono CG 25 Di c»
Rohde & Schwarz EU-6201»
Fane Studio 8 dual conc»
Micro-Seiki Arm Board
Vitavox S2/S3 diaphragms
Micro Seiki RX-5000
Korvet “Egg” Tonearm
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Pacific Microsonics Mod»
Altec 515B bass drivers
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