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» OK, digitechs, why won't»
» Dynamic range in histori»
» Richard Wetz and Martin »
» The EdgarHorns: the new »
» The Yevgeny Mravinsky Fi»
» Macondo – Super Melquiad»
» Critique audio performan»
» Battling stupid Horn Cri»
» Nothing to read.
» The leather-suspended dr»
» “A” sound from “B” syste»
» Learn to listen your lis»
» Amplification and Consci»
» The new releases from &q»
» Maria Callas’s Glory Day»
» Constructing LF modules »
» Recording/Playback softw»
» Small spaces
» Brahms PC #1, Philharmon»
» The 3 things that audio »
» "New" TechDas »
» DRU Tube for Melq’s HF c»
» Melequiades PSU
» Introduction to “Melquia»
» Japanese Super High Mate»
» It is possible to elimin»
» What would be left in au»
» Attention Sound Engineer»
» Atkinson vs. Tektronix: »
» How many Bits needed for»
» FM Acoustics
» Horns and digital crosso»
» Relief from micro-arcing»
» A synonym of audio revie»
» Romy...thoughts on Lamm »
» Some thoughts about Milq»
» Transition : Driver to t»
» A Simple Question (or 3)»
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Wiener Philharmoniker Di»
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The Victor Victrola Page
Tonal tests
33+45=78
Archives of Canada
Musical Instrument Jokes
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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another trump blunder»
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it’s (almost) business as »
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Hill, Alfred (16 November »
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de Leeuw, Ton (16 November»
Willis, Michelle (16 Novem»
Yu, Man-Ching "Donald" (16»
Kenwood L-02T FM Tuner
Lamm ML-2 Single-Ended »
Altec 808A compression »
Musatex-TP Bidat 20-Bi»
Micro-Seiki MAX-282 To»
Sansui TU-X1 Tuner
Micro Seiki RX-5000
Vitavox S2/S3 diaphragms
Micro-Seiki air-suspend»
CEC TL-0 MK2 transport
Tribute Output Amorphou»
More Leftovers »»