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» The “sounds” that I am l»
» NAT Audio Magna -160 Wat»
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» Live memories of Live br»
» Electrostatic Sub Horn
» Truly a new use of high-»
» Film in Boston: "An»
» The Supernatural Josef H»
» The ultimate buffer #2..»
» Where are the full-funct»
» The Multicells HF Horns.
» A dive to Auro 3D
» Eventually I’ve seen a l»
» World's First Concrete R»
» Electro-Voice T350, T35,»
» VTL TL-7.5 Reference: Hi»
» The Hand Clapping by Fra»
» MTT’s Mahler at 180 ghra»
» Think how a playback com»
» Strings reinforced sound»
» DC offset for A/D conver»
» Recording options: Pacif»
» Cessaro Gamma II and Ome»
» “How audio might sound”
» Good midbass is complica»
» Claude Perrier and his t»
» EAR Yoshino DAC 4 by Tim»
» Class “D” – the industry»
» Rejection of non-natural»
» The "non-winner&quo»
» Fantasies about 10Y
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Solid State Electronics
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Heart's Ease
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The Well Tempered Comput»
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Vintage EV speakers
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Michelangeli Discography
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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another trump blunder»
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classical music attracts o»
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Musatex-TP Bidat 20-Bi»
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Pacific Microsonics Mod»
Micro-Seiki MAX-282 To»
Micro-Seiki air-suspend»
Rohde & Schwarz EU-6201»
Micro-Seiki Arm Board
Lamm L2 Reference pream»
Vitavox 330Hz Horn for »
Stage Acompany SA8535 d»
Lamm ML-2 Single-Ended »
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