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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
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» The BSO and Digital Musi»
» (Whose) classical music.»
» Tidal’s Music Streaming »
» A stunning Beethoven’s “»
» An idea of Individual Re»
» Gospel, pop, jazz and co»
» A contemporary AD1 Triod»
» Expensive Audiophilism a»
» Accuracy vs. Musicality »
» BW Broadcast RBRX Encore»
» The Lieberson’s Neruda S»
» My Multi-way Horns
» Alfred Schnittke’s Gogol»
» The Brain Inertia.
» MF on AF2, and (perhaps)»
» Direct radiation in the »
» Tractrix Bass horn vs Sp»
» God bless WDR Symphony O»
» Neat reminiscences from »
» About dymick sparkling.
» Push pull compound compr»
» Joseph Haydn, Six Esterh»
» The Melquiades bass chan»
» I think it is the end.
» Bruckner 9 live in 30 mi»
» Julia Fischer in Boston »
» “Zarathustra” amplifier:»
» The loudspeakers for a p»
» The irony of playback ph»
» Sound of line level filt»
» Midbass injection channel
» R22
» To be or not to be.
» I need a “second-type” p»
» Bruckner 8, WDR and Manf»
» Wanted Vitavox S2 Origin»
» Analogue to digital conv»
» Belcea Quartet
Bookmarked are red
The Gustav Mahler Board
Electron Tube Data sheets
Dr. Olson Tribute Site
Classical Composers
Joachim Raff Society
Boom's Dungeon
Lockwood Audio
Rachmaninoff Society
Dr. Bruce Edgar Interview
GEMM catalog
Greg Sando’s Site
33+45=78
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Sansui TU-X1 Tuner
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Vitavox S2/S3 diaphragms
Stage Acompany SA8535 d»
Ortofon Mono CG 25 Di c»
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Rohde & Schwarz MSDC Mu»
Korvet “Egg” Tonearm
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