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Random Site's Threads
» An Acquired Taste
» Lavry D9a26 Power Supply
» The low-power SET and de»
» Getting Started with Mya»
» Think Denk and op.106
» Think how a playback com»
» Learning to interpret RTA
» The “sounds” that I am l»
» Horn for smartphone
» DIY multicellular horn
» How does [Phaseplug Desi»
» CATS Purring tempo, slid»
» LLoyd Walker Never Rests
» Multicellular horns
» Benjamin Britten’s Violi»
» A Simple Question (or 3)»
» Bruckner 8, WDR and Manf»
» Audio critique – open yo»
» Signal variation, noise,»
» A nice Vandersteen inter»
» The best 20 hz bass horn
» The CES's 2011 horns
» A lucidly implemented di»
» Surprising: the most int»
» VoES
» Designing and building a»
» Introduction to “Melquia»
» The Active High Frequenc»
» Omni-directional 'horny'»
» 6E6P-DR in triode mode
» Revisiting DSP
» The Norman Lebrecht’s ar»
» An Afternoon with Gary K»
» What to read in audio?
» Natural Remedies for Sic»
» The stunning “The Magic »
» The “Dead Points of Live»
» First Bruckner listening»
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
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he wasn’t toscanini, but h»
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Composer's Anniversaries
Smetana, Bedrich (2 March »
Lemire, Jean-Baptiste (8 J»
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Weill, Kurt (2 March 1900-»
Blitzstein, Marc (2 March »
Romero, Celedonio (2 March»
Stevens, Bernard (2 March »
Gardner, John Linton (2 Ma»
Simpson, Robert (2 March 1»
Williamson, Malcolm (21 No»
Rands, Bernard (2 March 19»
Welcher, Dan (2 March 1948»
Niederberger, Maria (2 Mar»
My Audio Leftovers
Lamm ML-2 Single-Ended »
CEC TL-0 MK2 transport
Stage Acompany SA8535 d»
Micro-Seiki air-suspend»
“Tree Blind Mice” colle»
Purist Audio Design Pro»
ESS AMT-1A Heil Air Mot»
LF Transformer for 6C33C
Koetsu Onyx Platinum Ca»
Musatex-TP Bidat 20-Bi»
Tribute Output Amorphou»
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