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» Truly a new use of high-»
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» A single worst thing in »
» Resonating hi from overs»
» Getting Started with Mya»
» Audio critique – open yo»
» Valve Technology Timeline
» A slightly crazy idea fo»
» Do not “compare” audio e»
» Shaky tubes, echo testing
» Bruckner 9, Transcriptio»
» Electro-Voice Tweeter an»
» A tube tuner? REL Preced»
» Melquiades: too early fo»
» Sony Blu-spec CD audio f»
» John Cage about silence »
» Another problem in my ne»
» “FM live” file exchange »
» 47 Lab new turntable and»
» Radiation patterns match»
» How many Bits needed for»
» How to insert youtube vi»
» THE book on intonation
» Better organization/desi»
» SET amplifiers
» The evenings with Greate»
» Help to identify the LF »
» Memories of audio elemen»
» The WHRB’s Rimsky-Korsak»
» Incorporating active cro»
» Easy Bruckner for Beginn»
» A different breed of 6C3»
» The benefits of ultra hi»
» Festival “Son & Imag»
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Opera America
Radiotron Designers Hand»
JE Labs
Alexander Karpov’s “Next»
Phono EQ
Great Hong Kong Blog
Rachmaninoff Photos
Truesound Transfers
Lied and Art Songs
Louis Speichler's Records
Toccata Classics
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Ortofon Mono CG 25 Di c»
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LF Transformer for 6C33C
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Musatex-TP Bidat 20-Bi»
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Vitavox S2/S3 diaphragms
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CEC TL-0 MK2 transport
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