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» Myth: High-efficiency L»
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» Seven hours of live musi»
» Tchaikovsky: Symphony No»
» Tweeters: the most misus»
» Hässler sonata: Gra»
» Anybody building or usin»
» True High-End Audio: Ant»
» The idiotism of Audio Sy»
» To Milq builders: correc»
» Full range Melquiades im»
» Oistrakh(s) on Monitor M»
» Expensive Audiophilism a»
» Superbly interesting eff»
» My playback: what is nex»
» My subject of envy to au»
» A “pocket version” of Br»
» A great OPT resource page
» The crossovering Messiah»
» The Andrew Rose’s “Prist»
» Optical Cartridge: groun»
» The wonder of Ayre Acous»
» How to make musicians to»
» Re-set Martha Argerich!
» The nature of "soun»
» A resistor between scree»
» About moronity of DIY Au»
» The CES's 2011 horns
» K2HD -yet, another CD fo»
» Playback as an expressiv»
» Problems with horns: mid»
» A true nature of audioph»
» New bottlehead dac
» Oppo DVD player as a tra»
» Subjective evaluation of»
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» I good spot-light for a »
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APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Micro Seiki RX-5000
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CEC TL-0 MK2 transport
LF Transformer for 6C33C
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Purist Audio Design Pro»
Altec 515B bass drivers
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