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» Observations and Thought»
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» Neat reminiscences from »
» More 6E5P-6C33C amps.
» Double enclosure or usin»
» Vendors’ Egos.
» German Odeon horns.
» The ways to delay horns »
» About my listening habit»
» Micro SX8000I: noisy pum»
» Lutoslawski’s Concerto f»
» Updated view: The Optima»
» Metal domes
» Andre Previn in Boston.
» Single Driver speakers
» Where is "Good enou»
» Audiophiles are Happy or»
» Magico: Robert Harley’s »
» What’s up with these gia»
» Preamplifiers: keys to m»
» The nature of "soun»
» How do you position your»
» Pacific Microsonics Mode»
» About the tweeters phase»
» Yet another Gould box se»
» Cogent+Electronluv+Acape»
» Playing American Music o»
» Bias help
» Do not touch that used t»
» New, Transparent Speaker»
» How to give bats a heada»
» More or less pleasure: w»
» The 500-megawatt FM stat»
» The Sound and How We Hea»
» Mini A7
» Playback as an expressiv»
» Mendelssohn, Cello Sonat»
» Why I do not like La-hor»
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AUG 1 BU Tanglewood Instit»
AUG 1 Danish String Quarte»
AUG 1 Mozart: The Marriage»
AUG 1 Esa-Pekka Salonen, c»
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Electro-Voice T350 twee»
Micro-Seiki MAX-282 To»
CEC TL-0 MK2 transport
Micro Seiki RX-5000
Micro-Seiki Arm Board
Musatex-TP Bidat 20-Bi»
Korvet “Egg” Tonearm
Sansui TU-X1 Tuner
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