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The tales of two phonost»
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Cogent+Electronluv+Acape»
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Romy, how does the origi»
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Beethoven PVC Trio, Opus»
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A playback and wrong not»
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Boulez' LF-Injected Vers»
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Good commercial speakers
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6 Channel Version of Sup»
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Truly a new use of high-»
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Recording options: Pacif»
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Primitive steps for stan»
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Upcoming Bruckner 4
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Micro Seiki Armboards: I»
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Gardzienice "Metamo»
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The DHOFT topology? Do n»
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Walter conducting Vienna»
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Vitavox’s S2 Survival Gu»
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Bruckner 9, Transcriptio»
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Bruckner and women
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About DSET-driven multi-»
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The industry’s high qual»
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hello cats...meow.
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Problems with horns: mid»
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Vitavox corner horn
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Infinite Baffle Implemen»
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Kloss 5-way horns setup.
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Wiring for box speakers?
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The Milq’s power supplie»
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Which SME 3009?
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The 68 dipoles imitation»
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Got new mid/high horns. »
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Romy Sells Out
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Large La or Tratrix horn»
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Best recording I heard i»
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EMIA Phonostage.
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“Why horns”, years later.
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Classical events in Boston
APR 11
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APR 12
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Composer's Anniversaries
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Spohr, Louis (5 April 1784»
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(Fran»
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My Audio Leftovers
Lamm L2 Reference pream»
Koetsu Onyx Platinum Ca»
Conscience of audio rev»
Ortofon Mono CG 25 Di c»
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Stage Acompany SA8535 d»
CEC TL-0 MK2 transport
LF Transformer for 6C33C
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Micro-Seiki Arm Board
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