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End of Life Phonostage
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» LeCleach vs. tratrix and»
» Double enclosure or usin»
» Lamm LP2 phonostage: rev»
» Interesting use of Lunda»
» Micro Seiki MAX 282 User»
» Antelope: might be an in»
» Phoenix
» Beware of the Arkive Mus»
» Romy...thoughts on Lamm »
» Baltimore Symphony Appoi»
» Gould's Goldberg Variati»
» The 'Beethoven Test' of »
» Brahms 4th Symphony in i»
» 250 watts Parallel S.E. »
» Some conical horns anti-»
» Amazing Altec 288 ++
» Vitavox S2 with Electrom»
» Minusk: a new Vibraplan?
» Pono & Meridian - an»
» Gould's Piano
» The 68 dipoles imitation»
» Andrew's new 4-way horn »
» Lavry D9a26 Power Supply
» “How audio might sound”
» Micro RX 5000
» TU-X1 setup
» Bach, Brandenburg Concer»
» Good midbass is complica»
» Borbely Audio Take on 6C»
» Loudspeakers and headpho»
» The last phonocorrector:»
» A listening room for a d»
» Midbass impedance bumps »
» Mahler 3 and BPO.
» 5-ways from Speedysteve7
» Preamplifiers: keys to m»
» GM70 vs. 6C33C
» Recording options: Pacif»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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another trump blunder»
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Grétry, André-Er»
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Vermeulen, Matthijs (8 Feb»
Lutosławski, Witold (»
Williams, John (Towner) (8»
Altec 808A compression »
Electro-Voice T350 twee»
Purist Audio Design Pro»
Altec 515B bass drivers
Sansui TU-X1 Tuner
Musatex’s Bidat Model "»
Koetsu Onyx Platinum Ca»
Purist Audio Design Pro»
Musatex-TP Bidat 20-Bi»
REL Precedent 646C tuner
CEC TL-0 MK2 transport
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