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» Inner Groove Distortion »
» To hear Haydn for a firs»
» FMFool – a truly useful »
» Maria Callas’s Glory Day»
» Some Audiogon realty
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» A great OPT resource page
» How many Bits needed for»
» Yamamura's 6 ways
» Mravinsky/Leningrad from»
» The “theories” about the»
» Prokofiev's cantata
» DAC Recommendations
» Rendezvous Mit Richard T»
» About dymick sparkling.
» The Yevgeny Mravinsky Fi»
» Primitive steps for stan»
» Midbass Horns and Real E»
» Truly a new use of high-»
» Shelter 901iii or 90c ca»
» The WHRB Wagner’s Ring C»
» Playback and Perception »
» Help with RF loop
» Custom made woofers.
» The Trout - Perlman, Ba»
» The “Inverted High End A»
» Very in depth considerat»
» The corrupted listening »
» A DSET is better then an»
» Rudolf Barshai conducts »
» Harmonies for Bosch’s Ga»
» Two-stages, hybrid, smal»
» MDTunes™ from SoundLab l»
» Dvorak/"Dumky"»
» Summary: my/your audio: »
» The “new” ways for initi»
» The sound of Concert Hal»
» The GoodSoundClub’s ‘Ult»
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
NPR Classical Programs
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a woman takes the podium a»
he wasn’t toscanini, but h»
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another trump blunder»
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Composer's Anniversaries
de Mondonville, Jean-Josep»
Hiller, Johann Adam (25 De»
Boulogne, Chevalier de Sai»
Poos, Heinrich (25 Decembe»
My Audio Leftovers
Musatex’s Bidat Model "»
Koetsu Onyx Platinum Ca»
Micro-Seiki MAX-282 To»
REL Precedent 646C tuner
Micro-Seiki Arm Board
Lamm L2 Reference pream»
Vitavox S2/S3 diaphragms
SME M2 - 12" Tonearm wi»
Ortofon Mono CG 25 Di c»
Pacific Microsonics Mod»
Rohde & Schwarz MSDC Mu»
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