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» Sound from behind a wind»
» The new FM Classical sce»
» Forward in the past with»
» Atkinson vs. Tektronix: »
» Kharma Loudspeakers reac»
» The single-ended pretens»
» The dynamic range of our»
» Tweeter for Vitavox S2. »
» The “bread and circus” o»
» High-End Audio: buy vs. »
» A subwoofer of death, no»
» Zander's new Masterclass
» I wonder when Chinese be»
» Direct radiation in the »
» A full-range quality-tri»
» What is wrong with Dipol»
» The Estonian idiocy: Est»
» Lecture on history of ar»
» Polarity Tester – a must»
» VoES
» Thinking about Bruckner »
» Tossy Spivakovsky and Tc»
» Tree motors from one sid»
» The New York Philharmoni»
» A CD off tune? The Big C»
» Wet/Dry ™ configuration »
» A book about Loudspeaker»
» The Ralf Stegmueller’s h»
» Unexplained haunting exp»
» Audio and Music: four le»
» TU-X1 setup
» Open cell foam in horns »
» DIY Firefly Horns
» Tedeska Cartridges.
» Why I do not love Mahler?
» The tools to listening s»
» William Kapell legacy an»
» Electricity... power str»
Bookmarked are red
Haenssler Classic
Phono EQ
WGBH's “Keeping Score”
Jammin' Jersey
Lockwood Audio
Technical books online
Carlos Kleiber List
The Music Parlour.
Audiofederation's Blog
Perer Gulmann's Classica»
Tube World
Truesound Transfers
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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de Mondonville, Jean-Josep»
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Boulogne, Chevalier de Sai»
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Vitavox 330Hz Horn for »
Rohde & Schwarz MSDC Mu»
Lamm ML-2 Single-Ended »
Micro-Seiki air-suspend»
ESS AMT-1A Heil Air Mot»
Vitavox S2 Compression »
Micro Seiki RX-5000
Stage Acompany SA8535 d»
Altec 515B bass drivers
“Tree Blind Mice” colle»
Purist Audio Design Pro»
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