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» Polarity Tester – a must»
» Vitavox 12 cell Horns + »
» Altec cabinet: 815a
» 6 Channel Version of Sup»
» A response to David Hurv»
» Arsenic bacteria & G»
» ESS Connoisseur: a sensi»
» High-End Audio Topologie»
» The best speaker in the »
» About the life-expectanc»
» New old records shopping
» Macondo 3.0
» Shaky tubes, echo testing
» 12AX7 or?
» My new favorite "Ne»
» The Melquiades bass chan»
» Audio and Music: four le»
» Surprising: the most int»
» DeCompressor - Puncher P»
» Berlin, Bruckner 8 in Ma»
» Initial thoughts about n»
» Upperbass horns – tone v»
» A very slow monolog abou»
» Micro Seiki MAX 282 User»
» Speaker Building
» Maxim Vengerov: Encore i»
» Inner Groove Distortion »
» Macondo’s Midbass Projec»
» Rcf n850
» Goodbye to EMI?
» Stands for Super Melquia»
» Cleaning my PP2000
» Whatever they say about »
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
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Pacific Microsonics Mod»
SME M2 - 12" Tonearm wi»
Korvet “Egg” Tonearm
Lamm L2 Reference pream»
Kenwood L-02T FM Tuner
Micro-Seiki MAX-282 To»
CEC TL-0 MK2 transport
Conscience of audio rev»
Hillock TV-2 tube tester
Rohde & Schwarz MSDC Mu»
LF Transformer for 6C33C
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