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» What, no Mahler?
» The crossovering Messiah»
» The Remote System Manage»
» Bruckner Sinfonie Nr.8, »
» VMPS RM V60 – kill me, b»
» New speaker system
» Audio and Politic: a sol»
» The best album of 2005 s»
» Van den Hul 's Grail
» Music and WW3
» Great Cello Concertos
» High-End Audio and ... c»
» News and Events down sin»
» The contemporary pressin»
» A Moscow setup with Horn»
» Gospel, pop, jazz and co»
» Paradoxes of my Racism.
» Tonality versus Frequenc»
» Gas voltage reference 0A»
» Tweeters: the most misus»
» The most interesting hor»
» Observations and Thought»
» SME M2-12 tonearm
» Attention Sound Engineer»
» Micro Seiki SX 111FV Pla»
» A new strange but predic»
» Macondo – Super Melquiad»
» My horn speakers system.»
» Macondo – Super Melquiad»
» Fostex tweeters, Lowther»
» Aries Cerat Contendo - t»
» Learning to interpret RTA
» A better way of approach»
» Why I hate HornResp.
» Some analysis of the Joe»
» Wich melquiade?
» New Motor for an Old Sot»
» A datacenter at home and»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
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REL Precedent 646C tuner
Micro-Seiki Arm Board
Altec 515B bass drivers
Mid-range tantrix round»
Micro-Seiki MAX-282 To»
ESS AMT-1A Heil Air Mot»
Micro-Seiki air-suspend»
Altec 808A compression »
Vitavox S2/S3 diaphragms
Koetsu Onyx Platinum Ca»
Korvet “Egg” Tonearm
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