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» Tanglewood's 75th annive»
» Greek Arcadian Audio new»
» Has anyone ever seen the»
» DHT driver & input
» Metaxas-Wolfson ADC with»
» Playback as an expressiv»
» Rod Poole 1962-2007
» Balanchine’s “Pathetique”
» Interesting use of Lunda»
» A subwoofer of death, no»
» Rach’s Prelude in C-shar»
» Vitavox ak151 in klipsch»
» An Acquired Taste
» Baltimore Symphony Appoi»
» Audio Sonar Acoustic Lev»
» The EdgarHorns: the new »
» The DHOFT topology? Do n»
» Faberryman and the CES 2»
» Making musical instrumen»
» Some Observations about »
» Monitors: Wishful thinki»
» Bye-Bye, Fane
» What a week in Boston!
» How many channels does a»
» About the DAW playback s»
» More about Vienna Philha»
» That is not 1812 and the»
» The optimum Sampling Rat»
» Apple helped kill FM...a»
» Push pull compound compr»
» To Rip or not to Rip.
» Single Driver speakers
» Music in the Sound: a mo»
» Western Electric reprodu»
» The jump-start of loudsp»
» Bid Midbass Asian Horns
» Mr. Kleen Stylus cleaner
» New paradigm - what an &»
Bookmarked are red
BuyWell Australia's Clas»
Polish GM70 Poject
Thomas Dunker's Site
The Opera Critic
Find-a-Concert
DIY SET
Silent Running Audio
Input Choke & Resonant C»
BuyWell CDss
Paul's Antenna Attic
DaVinciAudio Labs
Koussevitzky & BSO
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Micro-Seiki MAX-282 To»
Ortofon Mono CG 25 Di c»
Rohde & Schwarz EU-6201»
Vitavox S2/S3 diaphragms
Korvet “Egg” Tonearm
Kenwood L-02T FM Tuner
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Lamm Industries M1.1 Mo»
Conscience of audio rev»
Micro Seiki RX-5000
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