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» Bach and Rain
» Remembering Sound…
» About the Critical Audio»
» "Master Quality Aut»
» The “Dead Points of Live»
» MartinLogan Montis Speak»
» Idler Drive - Rumbling I»
» Where are our good phono»
» About audio hoarding
» From bad Opera to good O»
» Evaluation of tractrix c»
» List of top 20 conductor»
» The Melquiades' "Re»
» Do not buy CDs mastered »
» More about the EdgarHorn»
» To play my 88/24 files o»
» A good young conductor: »
» I'm omnivorous... am I i»
» A new 'chic' foolishness»
» The most interesting hor»
» Educate yourself WHY you»
» Audiotism: cable elevato»
» A CD playing audio perso»
» Rightsizing from extreme»
» Montreal audio show phot»
» Benz Gullwing and Hi all
» Romy, how does the origi»
» Gould's Piano
» What constitutes a great»
» How to test 6C33C?
» Accuracy vs. Musicality »
» A passive but elegant pr»
» Paul McGowan. tubes in p»
» Purist Audio Design vs. »
» Western Electric reprodu»
» The “Right of Spring” – »
» Belar fms-2 Vs. r&»
» The Avicenna's failure i»
Bookmarked are red
ElecroVoice’s Vintage Pr»
Russian Music in 20th Ce»
Marston Records
Rachmaninoff Society
Olson Acoustical Book
Duke Classical
Vintage Audio Trader
Avie Records
Tchaikovsky's Compositio»
The Soul of Sound
Phil Mundi Audio Pro Med»
Russian Records
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Electro-Voice T350 twee»
LF Transformer for 6C33C
CEC TL-0 MK2 transport
Rohde & Schwarz EU-6201»
Korvet “Egg” Tonearm
Lamm Industries M1.1 Mo»
ESS AMT-1A Heil Air Mot»
Mid-range tantrix round»
Altec 515B bass drivers
Musatex-TP Bidat 20-Bi»
Sansui TU-X1 Tuner
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