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» What a week in Boston!
» OK, digitechs, why won't»
» "SOTA Technology&qu»
» William Ralston Listenin»
» Bruckner Ninth and the W»
» Building Melquiades: Chr»
» High-End Audio: buy vs. »
» Interesting use of Lunda»
» “Get Better Sound” by Ji»
» A great production of th»
» About the tweeters phase»
» Commercial finished horn»
» The “Melquíades” d&»
» Brahms, "Liebeslied»
» Celibidache / bruckner
» Romy the Cat's site
» Holly Proscenium idiocy!
» “How audio might sound”
» The nature of "soun»
» A very slow monolog abou»
» If you are in Bruckner: »
» Long time due: Digital P»
» What you folks got for B»
» It was seventy years ago»
» Bruckner 8 in Washington»
» How to give bats a heada»
» New source for old tuners
» Horn placements - horns »
» A horrible re-performanc»
» Bach Piano Concertos, 1,»
» Reinforced live sound in»
» Internet and electricity
» CD horn and JBL: Crossov»
» A sort of DPOLs
» My subject of envy to au»
» Which SME 3009?
» The Milq’s power supplie»
» Le C'leach horn rear cha»
Bookmarked are red
Opera Collector Guide
The Opera Critic
Toccata Classics
Classic Artc Showcase
Parnassus Records
Russian Records
Alexander Karpov’s “Next»
Random Classics
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Phono EQ
Hermann Scherchen discog»
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Micro-Seiki Arm Board
Altec 515B bass drivers
Kenwood L-02T FM Tuner
SME M2 - 12" Tonearm wi»
ESS AMT-1A Heil Air Mot»
Fane Studio 8 dual conc»
Hillock TV-2 tube tester
Lamm Industries M1.1 Mo»
Rohde & Schwarz EU-6201»
CEC TL-0 MK2 transport
Sansui TU-X1 Tuner
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