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» I good spot-light for a »
» Parts As Facilitators or»
» To Milq builders: correc»
» Adding one more non-sphe»
» Chostakovich: Concerto »
» Shi-Yeon Sung and BSO
» ESS Connoisseur: a sensi»
» HD Radio? Good, bad or u»
» Interesting use of Lunda»
» How to give bats a heada»
» Speaker hunting
» Sarah Chang last night a»
» Avantgarde Trio G3 Louds»
» Upper-Sound of Upper-Imp»
» Rebel++ first blood, Amp»
» Problems with horns: upp»
» Digi Redux; Drive 1 tran»
» Non-classical genius (st»
» New Beethoven cycle/Anim»
» Reality Check system to »
» Audio equipment recommen»
» The Dark Hope of Renee F»
» Make your own horns?
» Pure Audio Blu-ray.
» About Harry Pearson lega»
» Things to look out for w»
» A stunning contra-Bruckn»
» The best “Die Fledermaus»
» The Nimbus' Prima Voce b»
» Rim drive?
» The nature of "soun»
» A Very Nice "Eroica»
» Where is the real Russia»
» How to make a music pers»
» A need for Resolution /S»
» Günter Wand Intervi»
» Shock-absorbing tube soc»
» Cobbett
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Lied and Art Songs
Dan Lavry's Forum
Pjay's Speaker building »
Arbiter Records
Greg Sando’s Site
Hermann Scherchen discog»
Tubecad publication
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Micro-Seiki MAX-282 To»
“Tree Blind Mice” colle»
Vitavox S2/S3 diaphragms
Ortofon Mono CG 25 Di c»
CEC TL-0 MK2 transport
ESS AMT-1A Heil Air Mot»
Micro-Seiki Arm Board
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LF Transformer for 6C33C
Mid-range tantrix round»
Musatex’s Bidat Model "»
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