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» Vitavox’s S2 Survival Gu»
» The beauty of Cannibalis»
» Tchaikovsky's Nutcracker»
» Always check power-line »
» Romy's Multi-cell Horns »
» Better chassis design fo»
» Perspective?
» Carbon Interconnect
» The last phonocorrector:»
» “Melquiades” amplifier: »
» Recording/Playback softw»
» Copyright protection for»
» Faital compression drive»
» Micro seiki SX-8000 Air »
» The contemporary pressin»
» A Frankenstein Macondo -»
» Belcea Quartet
» Like colourful contrasts»
» Dunlavy SC++ loudspeaker»
» Brahms 4th Symphony in i»
» Active Tonearm Monitorin»
» The essence of High-End »
» I built this device
» Transition : Driver to t»
» Phono stages with SU-1
» My Multi-way Horns
» The A=432 Hz Frequency
» The strings period: the »
» Audio Covid and some hom»
» Micro Seiki, tonearm,car»
» The “Inverted High End A»
» Micro Seiki MAX 282 User»
» “How audio might sound”
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
NPR Classical Programs
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cellist lynn harrell has di»
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augustin hadelich: tiny des»
c.p.e. bach: mercurial dive»
Classical Music News
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julian bream, maestro of g»
a woman takes the podium a»
he wasn’t toscanini, but h»
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another trump blunder»
from concerts to cartoons:»
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Composer's Anniversaries
Vitali, Giovanni Battista »
Rinck, Johann Christoph He»
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Cui, César Antonowich»
Charpentier, Gustave (25 J»
Mignone, Francisco Paolo (»
Zeisl, Eric(h) (18 May 190»
Darvas, Gábor (18 Jan»
van de Woestijne, David (1»
Nobre de Almeida, Marlos (»
Shields, Alice (18 Februar»
My Audio Leftovers
Mid-range tantrix round»
Lamm Industries M1.1 Mo»
LF Transformer for 6C33C
Lamm L2 Reference pream»
Altec 808A compression »
Altec 515B bass drivers
Tribute Output Amorphou»
Electro-Voice T350 twee»
Koetsu Onyx Platinum Ca»
Vitavox S2 Compression »
Micro Seiki RX-5000
More Leftovers »»