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» ULF: where is the border»
» What is High-End Audio, »
» How to make musicians to»
» Book "High Quality »
» Rach’s Prelude in C-shar»
» "New" TechDas »
» Harry Pearson new round »
» DRU Tube for Melq’s HF c»
» Getting Started with Mya»
» Signal variation, noise,»
» Melquiadising other amp?
» Playback journeys and Mu»
» Liszt Piano Sonata &»
» My first audio show. Hmm»
» Non-classical genius (st»
» The DHOFT topology? Do n»
» Super Melquiades, Macond»
» Musique Concrete horns
» Phono stages with SU-1
» SET and speakers: disreg»
» The experiments with rem»
» French Horns/drivers sho»
» Achingly Beautiful Arias
» A very slow monolog abou»
» The mono cartridges para»
» JBL2440 on a round 300Hz»
» Bahnsen Horns + some fre»
» His Master Voice’s Shade»
» The sound of Concert Hal»
» Mysterious Russian Tromb»
» Myth of CD clocking = Tr»
» Those experiences. Early»
» Analog Transfer: the fir»
» Marantz MA-9S2 Monoblock»
» About the thoughtfulness»
» Performers
» How playing an instrumen»
» A primer on high-end mar»
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CEC TL-0 MK2 transport
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REL Precedent 646C tuner
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Micro-Seiki air-suspend»
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Korvet “Egg” Tonearm
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