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» Vitavox ak151 in klipsch»
» The Mercury "Rigole»
» George Orwell and loudsp»
» Time alignment of drivers
» The ultimate buffer – li»
» Lamm ML2.2 and Mark the »
» The global live televisi»
» The "non-winner&quo»
» Superior electric bindin»
» The “Implied Sound” in A»
» A great article from Pet»
» All Active! A DSET and m»
» Jonathan Valin smokes La»
» TOA monster sized compre»
» John Curl’s new phonosta»
» Loit Eagle Player – the »
» Micro Seiki RX-5000 Reco»
» Just Hi.. and my audio b»
» The differential diagnos»
» Kenwood L-02T and the hy»
» Entereing the "Desi»
» The period DHT tubes and»
» Modifying TAD 2404
» Lavry vs Stahl -Tek
» Romy...thoughts on Lamm »
» Rim drive?
» Try something unusual an»
» Evaluation of tractrix c»
» THE Stargazer
» What I am doing?
» Vitavox’s S2 Survival Gu»
» A CD off tune? The Big C»
» A full-range driver = C»
» Van den Hul famous FAQ c»
» SME M2
» A littlie D-War: Bidat v»
» Constant directivity = c»
» Shostakovich’s 100th bir»
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Exotic Audio
Silent Running Audio
Composers Forum
Joachim Raff Society
Professional Audio Calcu»
Western Electric manuals
Max Robinson’s “Fun With»
Vladimir Lamm Site
GS Tube
MusicWeb
Norman Lebrecht's blog
WGBH's “Keeping Score”
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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