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» Berlioz Requiem / Pavaro»
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» The 'Side's End Ceremony»
» Another topic on vitavox»
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» The John Barbirolli’s wi»
» How to give bats a heada»
» A weekend of treats by B»
» The “Melquíades” d&»
» My subject of envy to au»
» A slightly crazy idea fo»
» Sound from behind a wind»
» Arranging my records col»
» Too damn loud?
» Sound Quality and “Elect»
» Russian cello festival
» The best Third Movement »
» A strange urge.
» Incorporating active cro»
» John Cage about silence »
» Mahler VI - Barbirolli w»
» New Bamboo Speakers Feed»
» Micro seiki SX-8000 Air »
» How to start Classical M»
» A fundamentally faulty J»
» USB microscope for setti»
» About the pre-warming of»
» Levels of High End Audio»
» The “bread and circus” o»
» Gardzienice "Metamo»
» Prices in High-End Audio.
» High-End Audio Topologie»
» Vincent Brient’s playbac»
» The Real Total Horn
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Vitavox S2/S3 diaphragms
Musatex-TP Bidat 20-Bi»
CEC TL-0 MK2 transport
Musatex’s Bidat Model "»
Micro-Seiki MAX-282 To»
Tribute Output Amorphou»
Fane Studio 8 dual conc»
Micro Seiki RX-5000
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