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» Does tube preamplifier V»
» An idea of Individual Re»
» Afraid loudspeakers that»
» About the Audio Neutrali»
» Another topic on vitavox»
» Steve Leung, Cartridge W»
» Custom enclosure?
» Any South/Latin American»
» Interested in reading mo»
» Orphean horns of bd desi»
» Say “no” to the light to»
» 6C41C – the journey to n»
» Help to identify the LF »
» "SOTA Technology&qu»
» We who are about to die.»
» Time alignment of drivers
» Polish Chamber Choir - S»
» How do you position your»
» Another "Top five t»
» Bad, bad, bad 1812 Overt»
» High End Audio and music»
» Khatia Buniatishvili
» Pikovaya Dama / Queen of»
» About the DAW playback s»
» Nicolai Golovanov
» The “better speakers” to»
» An interesting Russian p»
» About playback and messa»
» The 3 things that audio »
» The Hand Clapping by Fra»
» Sansui AU-X1 bomb...
» Wasted Time and "be»
» Lamm ML2.1 "No long»
» Super Melquiades Amplifi»
» A longer turntable belt.
» Marantz MA-9S2 Monoblock»
» The Andrew Rose’s “Prist»
» HELP: I’m a line-level l»
Bookmarked are red
WGBH's “Keeping Score”
ElecroVoice’s Vintage Pr»
The Cartridge Database
Pristine Audio Direct
Lied and Art Songs
The Gustav Mahler Board
Duke Classical
The National Valve Museum
Bruce Edgar's Edgarhorn »
Great Plains Audio
George Szell discography
Rachmaninoff Society
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APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
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APR 12 Takács Quartet in Gr»
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Musatex-TP Bidat 20-Bi»
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Altec 515B bass drivers
Lamm ML-2 Single-Ended »
Altec 808A compression »
Vitavox S2/S3 diaphragms
Mid-range tantrix round»
Koetsu Onyx Platinum Ca»
Sansui TU-X1 Tuner
Micro-Seiki Arm Board
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