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Audio Knowledge Tree ™
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Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» A datacenter at home and»
» About the Playbacks’ Thi»
» The “Inverted High End A»
» EdgarHorn Speaker Project
» Like colourful contrasts»
» LLoyd Walker Never Rests
» Online Music Store in Eu»
» The essence of High-End »
» Lamm ML2.2 and Mark the »
» 6C33C loading in Super M»
» Bruckner 9, Transcriptio»
» Great Cello Concertos
» Interesting use of Lunda»
» A response to David Hurv»
» A fundamentally faulty J»
» About the undeveloped au»
» SPUnisation of Macondo: »
» When the stars aligned.
» Input choke for Low Curr»
» Passive transformer base»
» A[nother] Cautionary Tal»
» Klipsch Jubilee
» What are the effects of »
» Tannoy's Flagship by Jef»
» A multi-tier audio contr»
» I good spot-light for a »
» Getting more from MF cha»
» Better organization/desi»
» Rim drive?
» High Definition Tape Tra»
» Replacing 802 G and 811 »
» Paradoxes of my Racism.
» Afraid loudspeakers that»
» Gould's Goldberg Variati»
» There is nothing subject»
» (Hopefully short) headph»
» Winter storm & Casals
» Zander, BPO, George Li a»
Bookmarked are red
Opera Collector Guide
VIP Records
Hermann Scherchen discog»
Rottenburger Museen
Wing Records
BostonSymphony's Channel
Composers Forum
OperaGlass
JE Labs
Subito-Cantabile
Austria's Musical Exiles
Value of Records Tool
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Fane Studio 8 dual conc»
Vitavox S2/S3 diaphragms
Altec 515B bass drivers
Stage Acompany SA8535 d»
Micro-Seiki MAX-282 To»
REL Precedent 646C tuner
Korvet “Egg” Tonearm
Electro-Voice T350 twee»
Lamm ML-2 Single-Ended »
Musatex-TP Bidat 20-Bi»
Ortofon Mono CG 25 Di c»
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