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» Taking the mystery out o»
» Think how a playback com»
» Beauty as I See It - Mus»
» Harmonies for Bosch’s Ga»
» Tchaikovsky’s “Evgeny On»
» ... and some Bruckner bu»
» SS Amplification for Com»
» Valve Preamplifier for M»
» Gould's Goldberg Variati»
» Callas and Tebaldi Compa»
» Zigmahornets Speakers: c»
» The period DHT tubes and»
» Time alignment of drivers
» Melquiades: too early fo»
» The new G.I.P speakers.
» Mahler VI - Barbirolli w»
» About Single Driver Spea»
» Single-stage Melquiades »
» Performance of a week.
» Dialog with Industry Rain
» First order filtration a»
» Chostakovich: Concerto »
» The “sounds” that I am l»
» I am thinking about anim»
» Polarity Tester – a must»
» Hypex for ULF?
» Many Mani's options: My »
» 50/40 Altec 604 Duplex B»
» What you do when you cat»
» Ghorbani&Hamdani sin»
» DIY Void acoustics Air m»
» Bad, bad, bad 1812 Overt»
» I built this device
» Available Blenders and S»
» The Audio of 21 century:»
» The Absolute Sound of Au»
» A Moscow setup with Horn»
» Great Cello Concertos
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
The Active High Frequency Solution - AHFS 6386 
The chicken or the egg 6385 
AMT vs. ribbon 6384 
Any “static” tweeter vs. AHFS. 6384 
A little bit clearer 6384 
Small problems with the camera lens can be mistaken for big problems with the projector lens.... 6361 
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