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Random Site's Threads
» Another (outdoorsy) swea»
» A big room with good aco»
» Appearance of listening »
» Live vs. Recorded transc»
» The contra-ridicules sol»
» Tokyo Opera City Concert»
» 3012, 312, M2-12 or ... ?
» The single-stage Milq an»
» The absolutely “best” ma»
» CATS Purring tempo, slid»
» Goto SG-370DX measurement
» Like theese?
» Where the Horns Light is»
» If you've never heard th»
» A resistor between scree»
» Getting more from MF cha»
» The jump-start of loudsp»
» Wheel-Fi
» Smyth Research Realiser »
» Remote control - the ult»
» Prokofiev's cantata
» Where high-end audio sta»
» 5 Channel Version of Mel»
» DIY Firefly Horns
» Maxim Vengerov: Encore i»
» Accuracy vs. Musicality »
» Pham Thanh Cuong's playb»
» The open project: a late»
» Bach Piano Concertos, 1,»
» A longer CD-Rom cable.
» Has anyone built the DIY»
» Musicians' ear
» Making it sing...
» A lucidly implemented di»
» A very good horns system.
» Summary: my/your audio: »
» A new strange but predic»
» James Levine takes a gre»
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Classical events in Boston
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Composer's Anniversaries
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My Audio Leftovers
SME M2 - 12" Tonearm wi»
Stage Acompany SA8535 d»
Electro-Voice T350 twee»
Vitavox AK-15/40 15" ba»
Micro Seiki RX-5000
Sansui TU-X1 Tuner
Ortofon Mono CG 25 Di c»
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