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Audio Knowledge Tree ™
Romy's "Audio Rules"
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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
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» How does [Phaseplug Desi»
» Vincent Brient’s playbac»
» Why horn-loaded loudspea»
» German Odeon horns.
» Eben X-3 loudspeakers -»
» The New York Philharmoni»
» A DSET is better then an»
» The Real Total Horn
» DHT driver & input
» Impressions from High En»
» Audio and the “Alzheimer»
» Bruckner 9 live in 30 mi»
» MacondoLite
» Open Baffle Speaker Desi»
» Any recommendations?... »
» June in Boston with Earl»
» The idiotism of Audio Sy»
» MF on AF2, and (perhaps)»
» Rachmaninoff Piano Conc»
» Micro Seiki SZ-1T
» The Brain Inertia.
» First Order on Bass chan»
» Macondo's Axioms: Horn-l»
» Dvorak/"Dumky"»
» Playback and chamber mus»
» Like colourful contrasts»
» USB microscope for setti»
» Woofer cone materials an»
» SPUnisation of Macondo: »
» Tractrix Bass horn vs Sp»
» The one-stage Melquiades.
» Alternative driver for W»
» Analog FM on a PCI cards?
» A contemporary AD1 Triod»
» The nature of "soun»
» How to get a LOT of SET »
» A full-range driver = C»
» Dennis Colin's Sound Str»
Bookmarked are red
Russian Music in 20th Ce»
Pristine Audio Direct
Eugene Ormandy Pages
Tempo-Electric - Arthur »
Paul's Antenna Attic
High-Tech Hi-Fi
Michelangeli Site
Holger Klein's Soundpage»
Audio Database
Female Composers Site
Opera Collector Guide
Cedille Chicago
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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