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» Midbass Horns and Real E»
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» Micro Seiki, tonearm,car»
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» JBL2440 on a round 300Hz»
» The most promising “best»
» Baltimore Symphony Appoi»
» A synonym of audio revie»
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» Analog Transfer: the fir»
» The Classical Music Caf&»
» Tokyo (Akihabra) Audio a»
» A new beast from JBL: Ev»
» Patricia Kopatchinskaja »
» Radio Netherlands’ Live!»
» The new “little things” »
» Hildegard von Bingen on »
» Some thoughts about bass»
» German Odeon horns.
» Prokofiev
» The mono cartridges para»
» Some analysis of the Joe»
» Vox Olympian secrets unv»
» Holly Proscenium idiocy!
» How to play Bruckner Sou»
» The Lavry Gold DA924 ++
» ULF: where is the border»
» Impressions from High En»
» About the audio Sources.
» Recording/Playback softw»
» Cessaro Gamma II and Ome»
» Reflections pattern in C»
» Accidental death music.
» The Dog eat my CDs.
» Reviewing preamps by imb»
» How to make a music pers»
» Oliver Sacks' "Musi»
Bookmarked are red
Art Songs and Librettos
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Wolds Opera Broadcasts
Tchaikovsky-Research.
Truesound Transfers
Tchaikovsky's Compositio»
Wing Records
Holger Klein's Soundpage»
The AHRC Research Centre
Electron Tube Data sheets
Perer Gulmann's Classica»
Marston Records
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Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
The mystery of AmpX 7 
The mystery of Audio via the eyes of AmpX 7 
How Are You Approaching the Technology? 6 
Sound gets “bypassed” is the key. 6 
The Sound of Silence 6 
The first step is underway. 4 
FR??? 3 
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