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Random Site's Threads
» Looking for different So»
» Musique Concrete horns
» Boston and Liszt’s Secon»
» The Expressive Technolog»
» The Sound assessment rec»
» Is horn a natural shape?
» The Norman Lebrecht’s ar»
» Don’t "use" VTA
» My beloved Contraltos: k»
» Some Horns propaganda
» A horn workshop
» 6C41C – the journey to n»
» Valve Preamplifier for M»
» How does it sound?
» 47 Lab Digital
» A new 'chic' foolishness»
» Where are our good Tuner»
» The Eduardo Chibas and B»
» Very interesting
» The best “Die Fledermaus»
» Lamm’s new phonostage.
» Perception of bass?
» Interview with Daniel We»
» Gas voltage reference 0A»
» Some analysis of the Joe»
» Polarity Tester – a must»
» Entereing the "Desi»
» How we "think"»
» (Whose) classical music.»
» Very in depth considerat»
» Vertical Axis Midbass Ho»
» Playback as an expressiv»
» Sick CEC TL0
» Whatever they say about »
» Tomorrow in Boston: Yout»
» Brahms Double Concerto
» Prokofiev
» Munich 2017, Avantgarde »
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Good small SS amplifier 139 
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Classical events in Boston
APR 28 A Messiah for Our Ti»
DEC 2 Handel: Messiah in C»
DEC 3 Verona Quartet in Bo»
DEC 3 Brandeis Chamber Sin»
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My Audio Leftovers
Sansui TU-X1 Tuner
Conscience of audio rev»
Korvet “Egg” Tonearm
Altec 808A compression »
Lamm L2 Reference pream»
Purist Audio Design Pro»
Vitavox AK-15/40 15" ba»
Ortofon Mono CG 25 Di c»
Electro-Voice T350 twee»
Koetsu Onyx Platinum Ca»
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