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The audio preview of the audio part of my Book

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Why I do not love Mahler?
» Herbie's Hal-O Tube Damp»
» Does Reference Recording»
» Buzz/Kill, and The Most »
» Learn to differentiate b»
» Chicago Horn Loudspeaker»
» "Seamless extended »
» Macondo’s lowest channel.
» A true nature of audioph»
» I need a “second-type” p»
» "SOTA Technology&qu»
» FM and … cables…
» Violin Concertos
» Brahms [piano] Concerto »
» Myth: High-efficiency L»
» New Sonus Faber
» It is about timbres, stu»
» VTL TL-7.5 Reference: Hi»
» Beethoven PC 5 Surprise »
» HDTracks- 50% Off of any»
» Any good sounding AES/EB»
» Electronluv systems ques»
» Do curved corners help???
» Top Recordings of All Ti»
» A tribune to Transient E»
» Bahnsen Horns + some fre»
» God bless WDR Symphony O»
» MBS Platinum ADC
» Reinforced live sound in»
» CD horn and JBL: Crossov»
» Günter Wand Intervi»
» The Saudi Arabia and Uni»
» About the audio Sources.
» Playback as an expressiv»
» The tools to listening s»
» Recording options: Pacif»
» Editing your own posts
» The best audio source EV»
Bookmarked are red
Michelangeli Discography
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Boston Philharmonic Orch»
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Value of Records Tool
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Ron Penndor's Recollecti»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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ULF: where is the borderline....? 1850 
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