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The audio preview of the audio part of my Book

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Vitavox S2 with Electrom»
» Sounds of Science
» Perception - Time Consta»
» Metropolitan Opera 2009-»
» Mercury Living Presence »
» Mystery Horn ? ? ? anyon»
» Mozart Concertos; Clarin»
» A primer on high-end mar»
» Lamm Industries: a speci»
» Audio and Politic: a sol»
» Replacing 802 G and 811 »
» A lucidly implemented di»
» Whatever they say about »
» An interesting TT link: »
» The Ralf Stegmueller’s h»
» A Scratched Horn.
» Audio critique – open yo»
» Outdoor horns
» Audio equipment recommen»
» EnABL: Just a note to aw»
» A[nother] Cautionary Tal»
» About the pre-warming of»
» "SOTA Technology&qu»
» Spivakov, NPoR Orchestra»
» The DSET perspective exa»
» Jonathan Weiss Introduce»
» Synergy Horn
» 3 ways how I listen to m»
» Wet/Dry ™ configuration »
» Today's best turntables »
» Ravel Piano Concerto No2
» It is all about hard sur»
» The "Lopsided"»
» Chicago Horn Loudspeaker»
» Micro Seiki SX 111FV Pla»
» It is imposable to “hear»
» Commercial finished horn»
» Gas voltage reference 0A»
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Jammin' Jersey
Good-Music-Guide
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All Tube Testers
Hermann Scherchen discog»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
ULF: where is the borderline....? 1851 
ULF Issues, or ??? 1851 
DSP ULF? 1850 
ULF in any reasonable living space is subject to the Schröder frequency of that room 1844 
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