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The audio preview of the audio part of my Book

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Tonearm Alignment Method
» Micro Seiki, tonearm,car»
» WGBH Opera Bash 2009
» Things to look out for w»
» Tanglewood's 75th annive»
» Measuring reality: empir»
» New Shalin Liu Performan»
» BBC: Composer of the Wee»
» Summer Refreshment; the »
» Correcting Filters and t»
» Macondo’s MiniMe or abou»
» Benjamin Britten’s Violi»
» Do not “compare” audio e»
» Looking for something di»
» Drama vs. Chic
» Better solution for bein»
» Philmundi Story about ho»
» SME M2
» Faital compression drive»
» Neat reminiscences from »
» BW Broadcast RBRX Encore»
» The industry’s high qual»
» Bach, Brandenburg Concer»
» The ultimate buffer – li»
» Roger Waters' Ça Ir»
» Understanding Line Array»
» Open Baffle Speaker Desi»
» How to evaluate playback»
» The "NEW T.H.E Show»
» Zanden 2500S CD player +»
» Compression driver phase»
» Expressive Technologies »
» Any recommendations?... »
» Myth of CD clocking = Tr»
» Thomas Mayer’s Triamp
» A tube tuner? REL Preced»
» Digital Volume Control s»
» What is High-End Audio, »
Bookmarked are red
Nubes Partem
Koussevitzky & BSO
BachTrack
Higherfi.com
George Szell discography
IMSLP Music Library
Ron Penndor's Recollecti»
Hermann Scherchen discog»
Duke Classical
Soviet Composers
Opera America
StateWork Broadcast Reco»
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
ULF: where is the borderline....? 1842 
ULF Issues, or ??? 1842 
DSP ULF? 1841 
ULF in any reasonable living space is subject to the Schröder frequency of that room 1835 
Level 1825 
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CEC TL-0 MK2 transport
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