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The audio preview of the audio part of my Book

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» LeCleach vs. tratrix and»
» Summary: my/your audio: »
» Composers do not own mus»
» I can't wait to read the»
» About DSET-driven multi-»
» Anybody building or usin»
» De-stress not decompress»
» The ways to delay horns »
» Wagner and loudness.
» Mozart Concertos; Clarin»
» Single Ended Pentode to »
» Tchaikovsky's Nutcracker»
» Rachmaninoff, PC 3; Kond»
» Paul McGowan. tubes in p»
» The Opera Room
» RCA driver made in China
» Don't position speakers »
» Yep, Bach would do it….
» Loudspeakers and headpho»
» About Darwinism of Music»
» Bach, Brandenburg Concer»
» Discovered a great chora»
» The sound of Concert Hal»
» Why people still sell co»
» Audio Enigma Variation
» Romy, how does the origi»
» Good commercial speakers
» Joël Durand Intervi»
» Appearance of listening »
» Weiss MAN301 Music Server
» Compression driver phase»
» VoES
» Semi-Interesting film fr»
» Zigmahornets Speakers: c»
» Harmonies for Bosch’s Ga»
» A very slow monolog abou»
» Tokyo Opera City Concert»
» "SOTA Technology&qu»
Bookmarked are red
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Former Sirkorski Site
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Marston Records
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
ULF: where is the borderline....? 1846 
ULF Issues, or ??? 1846 
DSP ULF? 1845 
ULF in any reasonable living space is subject to the Schröder frequency of that room 1839 
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