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The audio preview of the audio part of my Book

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» A Frankenstein Macondo -»
» An idea of Individual Re»
» The Engström & »
» Better chassis design fo»
» Chesky's violin concerto
» Orchestra of 32 Loudspea»
» The Full (fuller) Range »
» Think how a playback com»
» Upperbass horns – tone v»
» The Absolute Sound of Au»
» The essence of High-End »
» How many channels does a»
» Metal domes
» Bermuda Triangles of Aud»
» The last phonocorrector:»
» John Cage about silence »
» Richard Wetz and Martin »
» A new 'chic' foolishness»
» I can't wait to read the»
» How would you handle it?
» DA architecture: True M»
» Alicia De Larrocha, Bach»
» The unintended consequen»
» Dreams about Audio
» Constructing LF modules »
» “How audio might sound”
» High-End Audio, DPoLS -»
» I hate, hate, hate, hate»
» Vintage Altec drivers / »
» It is time for you to de»
» Full range Melquiades im»
» Fidelity Research FR-7
» New paradigm - what an &»
» Small SET’s bass, beside»
» The evenings with Greate»
» 2011 Brucknerathon
» Wilsons, EMM, Ozawa, Sa»
» The "Lopsided"»
Bookmarked are red
Retro hi-fi blog
Club Abbadiani Itineranti
JE Labs
Input Choke Calculator
Decca Classical discogra»
Haenssler Classic
Linkwitz's "Laboratory"
The Thiele-Small Loudspe»
BostonSymphony's Channel
Greg Sando’s Site
The Air This Week
Daniels Audio
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
ULF: where is the borderline....? 1840 
ULF Issues, or ??? 1840 
DSP ULF? 1839 
ULF in any reasonable living space is subject to the Schröder frequency of that room 1833 
Level 1823 
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