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Audio Knowledge Tree ™
Romy's "Audio Rules"
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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
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» Constant directivity = c»
» Mstislav Rostropovich Di»
» Where the Horns Light is»
» An interesting Russian p»
» Yep, Bach would do it….
» The Opera Room
» A subwoofer of death, no»
» The Jeff Day’s Westminst»
» Shindo Latour
» The best musical event o»
» Proximity of horn’s cros»
» Zebra horns painting?
» THE book on intonation
» Denouncing of idea of Ba»
» The ultimate worst best »
» Audio and Politic: a sol»
» The Melquiades bass chan»
» MTT’s Mahler at 180 ghra»
» The nature of "soun»
» Another topic on vitavox»
» Swell New RIAA-Only Phon»
» Herbie's Hal-O Tube Damp»
» The Mozart’s Dorabella a»
» Tokyo (Akihabra) Audio a»
» High-End Audio "sec»
» Beware of the "dipo»
» Do not over-damped your »
» His Master Voice’s Shade»
» About my listening habit»
» Macondo + Milq… very nic»
» Remembering Sound…
» Gershwin's Rhapsody in B»
» The experiments with rem»
» Additive capacitance: mi»
» Nikolaj Znaider's play a»
» I hate, hate, hate, hate»
» Kharma Loudspeakers reac»
» The “Dead Points of Live»
Bookmarked are red
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Linkwitz's "Laboratory"
Sound Tourism
JE Labs
Vintage Audio Trader
High-End Audio
Archives of Canada
Alexander Karpov’s “Next»
Polish GM70 Poject
Scriabin's Sonatas
Western Electric manuals
The Victor Victrola Page
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
ULF: where is the borderline....? 1791 
ULF Issues, or ??? 1791 
DSP ULF? 1790 
ULF in any reasonable living space is subject to the Schröder frequency of that room 1784 
Level 1774 
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