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Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» The ULF cannel for my ne»
» Stop having a fear of ho»
» Better chassis design fo»
» An objective tool to tra»
» A quote from a Japanese »
» Dialog with Industry Rain
» Hi-Fi Mini Systems
» It looks like a simple q»
» CD Is Dead. CD Is Dead?
» An ultimate horn profile?
» What, no Mahler?
» Hammond?
» Looking for the most vin»
» Lamm hybrids: M1.2 vs. L»
» Macondo System Suggestio»
» A new European productio»
» My reading for a “smalle»
» A longer CD-Rom cable.
» Artificial Phases Random»
» Do not “compare” audio e»
» A listening room for a d»
» Crossover or non-crossov»
» Time alignment of drivers
» My playback can’t play l»
» Thoughts on midbass horn»
» Upperbass horns – tone v»
» DAW is down… new DAW.
» How to make musicians to»
» Coaxial design
» The Hannes Kastner’ Tocc»
» Conductor Herbert Kegel
» Passive transformer base»
» Observations and Thought»
» My new “New” listening r»
» Herbie's Hal-O Tube Damp»
» 5 Channel Version of Mel»
» Patricia Kopatchinskaja »
» Computer Audio
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MusicStack
Art Songs and Librettos
Tin Lee Electronics
Wood Horn Speakers
Koussevitzky & BSO
Willem Mengelberg discog»
Classical Collections
Plasma Tweeters Site
Classical Music Network
Classical Recordings New»
Seen and Heard
Input Choke Calculator
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Macondo + Milq… very nice. 2417 
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To quote a 90's chocolate tv advert... 2416 
... great audio... 2406 
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