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» HELP: I’m a line-level l»
» The wonder of Ayre Acous»
» Canadian Speaker Proposal
» Ravel's String Quartet; »
» The best musical event o»
» Volti Audio's Vittora
» Fostex tweeters, Lowther»
» Conductors and Audio Sou»
» Thomas Mayer’s Triamp
» Romy stalked me on the f»
» Goodbye to EMI?
» Chesky's violin concerto
» Short midbass horns
» Sauna and Audio
» Too damn loud?
» A sort of DPOLs
» NOS Wagner move - what i»
» The Edgarhorn RTA respon»
» A car with vacuum tube..»
» A Very Nice "Eroica»
» Matching audio to music:»
» HELP on a Custom 3 Way H»
» Stage Music: get clew.
» What TRULY high-audio p»
» Zander, BPO, George Li a»
» Universal VTA adjustment.
» Bruckner integral
» High End Munich 2014 imp»
» Brahms [piano] Concerto »
» Rim drive?
» Philadelphia Orchestra c»
» Mysterious Russian Tromb»
» Munich High End 2011
» The last phonocorrector:»
» Tweeters for Altec 420y »
» Don’t "use" VTA
» Playing music for visito»
» Phase plug for midbass
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
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APR 17 In Search of New Wor»
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he wasn’t toscanini, but h»
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Composer's Anniversaries
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Palmgren, Selim (16 Februa»
Owen, Harold (13 December»
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Bourland, Roger (13 Decemb»
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My Audio Leftovers
Sansui TU-X1 Tuner
“Tree Blind Mice” colle»
Electro-Voice T350 twee»
Conscience of audio rev»
Altec 515B bass drivers
Purist Audio Design Pro»
Micro Seiki RX-5000
Korvet “Egg” Tonearm
Koetsu Onyx Platinum Ca»
Rohde & Schwarz MSDC Mu»
Micro-Seiki Arm Board
More Leftovers »»