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Audio Knowledge Tree ™
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» To hear Haydn for a firs»
» The "anecdotal"»
» Hideous American operas.
» A new generation of full»
» Tuners and digital noise»
» Position your speakers a»
» Music in the Sound: a mo»
» Ortofon MC Anna cartridg»
» Magico: Robert Harley’s »
» Experimental horn
» Bill Gaw: over 50 years »
» A primer on high-end mar»
» Discovered a great chora»
» About the Playbacks’ Thi»
» Ludwig van Beethoven &qu»
» Hans Deutsch active acou»
» The Thomas Blumenhofer’s»
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» The Berlin Philharmonic »
» FM and live real-time br»
» Making it sing...
» Practicality of paper ma»
» How many channels does a»
» MartinLogan Montis Speak»
» Reflections pattern in C»
» About the life-expectanc»
» Sounds of Science
» Playback journeys and Mu»
» Who inherit Mocondo or a»
» Orphean horns of bd desi»
» The 3 things that audio »
» Sick CEC TL0
» Tossy Spivakovsky and Tc»
» Shindo Latour
» The mono cartridges para»
» Opera “Boris Godunov”
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
The need for a balanced buffer stage 2383 
Combine Functions? 2383 
Future proofing 2383 
Long Runs 2382 
Rent-A-Board? 2382 
The less you "buy" is better. 2382 
Okay 2381 
The need for a balanced buffer stage 2380 
Problematic at best 2379 
THAT driver 2379 
No specific circuit out of context 2378 
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