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» The 60-inch LF driver.
» DC offset for A/D conver»
» The nature of "soun»
» The “Right of Spring” – »
» A right midbass solution»
» MF on AF2, and (perhaps)»
» What TRULY high-audio p»
» Time Alignment : Live Pe»
» If I were a High-End Aud»
» The IDEAL horn system
» Moscode, Morecode, Moron»
» RIP Pauline Oliveros
» Direct radiation in the »
» Macondo listening experi»
» Sony Blu-spec CD audio f»
» The Ralf Stegmueller’s h»
» Paul McGowan. tubes in p»
» Do not “compare” audio e»
» My new favorite "Ne»
» Sound from behind a wind»
» Bookshelf Horns
» The best audio product o»
» Who makes good L-Pads?
» Lavry vs Stahl -Tek
» Okada’s installation.
» How to make a playback t»
» FMFool – a truly useful »
» Recording/Playback softw»
» The foolishness of multi»
» A complex Audio Question
» Audio and the “Alzheimer»
» A full-range driver = C»
» Contributing factors in »
» Andre Previn in Boston.
» Oliver Sacks' "Musi»
» New Motor for an Old Sot»
» About my listening habit»
» Single-stage Melquiades »
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