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» Two-stages, hybrid, smal»
» Reflections pattern in C»
» Why second tonearm/cartr»
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» The industry’s high qual»
» Munich High End 2010
» The WHRB Wagner’s Ring C»
» RIAA pole two = 501,12 Hz
» Tokyo (Akihabra) Audio a»
» A Very Nice "Eroica»
» Use absolute polarity as»
» Choosing Someone to Refu»
» CD horn and JBL: Crossov»
» Panel with Peter Qvortru»
» From GoodSoundClub, with»
» There is Bruckner and th»
» The realty of UHF and LF»
» Tossy Spivakovsky and Tc»
» Truly a new use of high-»
» Some kinky goodies from »
» Richard Wagner. Somethin»
» The Silence of the Lamms!
» Can a ultimate playback »
» So, What's the Story on »
» Are You On the Road to A»
» Constant directivity = c»
» Single-stage Melquiades »
» Van Cliburn Moscow 1958
» The contemporary pressin»
» Recording options: Pacif»
» Music and Arts' Spring.»
» Lowther Driver
» A primer on high-end mar»
» High-End Audio and ... p»
» State Symphony of Russia»
» High-End Audio vs. High-»
» Large Polystyrene Caps
» The Truly High-End Ampli»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
A “pocket version” of Bruckner. 3070 
Bruckner in the church 3068 
I am sure it was a great to be there 3068 
Noise from the Bamberger Sinfoniker 3068 
The halls with long decays... 3068 
The Wagner effect. 3066 
Bamberg recording 3066 
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