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» Vasily Petrenko in Bosto»
» Sound from behind a wind»
» Disregard the industry p»
» Preamp/linestage recomme»
» "Seamless extended »
» A Very Nice "Eroica»
» Macondo's Axioms: Horn-l»
» Avantgarde method of cap»
» Big room vs small room
» How to listen High-End A»
» Ravel's Piano Trio; Rubi»
» How High-End Audio can b»
» Bruckner at 24bit.
» The experiments with rem»
» New Shalin Liu Performan»
» Do not buy CDs mastered »
» Dream Hi-Eff Speakers fo»
» A true nature of audioph»
» Direct radiation in the »
» Interesting use of Lunda»
» "Appeal to the Grea»
» Perception of bass?
» FM Acoustics: The most i»
» The foolishness of multi»
» Impossibility of commerc»
» Magico Model 6 loudspeak»
» Shostakovich‘s "Suite on»
» Should I low pass the mi»
» About the Critical Audio»
» The bizarre magnetized 6»
» Exceptional loudspeakers»
» Practical Guide for Back»
» Pham Thanh Cuong's playb»
» Who has best sound in Hi»
» Mystery Horn ? ? ? anyon»
» RIP Pauline Oliveros
» Does Reference Recording»
» A phenomenal find: Garvi»
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Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
Boston and Bruckner 4316 
B7 BSO 4316 
Clark, the Resourceful! 4316 
Yeah, "filled". 4316 
Bruckner in America 4306 
Beg to differ, Steverino 4305 
This is why Bruckner is not popular in USA. 4158 
Yeah, well... 4158 
And some Bruckner over the air.... 4158 
No surprise 4158 
BPO back with… Bruckner 8 1330 
Congrats 1330 
A little story 1329 
The concert itself with pretalk 1258 
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