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The audio preview of the audio part of my Book

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Prokofiev Classical Symp»
» Orphean horns / BMS driv»
» Curiosity about others. »
» Upperbass horns – tone v»
» I am thinking about anim»
» Think Denk and op.106
» FM and … cables…
» The concrete midbass hor»
» The best audio product o»
» Anyone Care to Make Odds»
» Used car salesman as a d»
» New here
» Evaluation of tractrix c»
» Tightening to loosening »
» Dubbing LP to digital.
» Full range Melquiades im»
» A CD player of today… 20»
» It is about timbres, stu»
» The new “little things” »
» Accidental death music.
» James Levine takes a gre»
» True High-End Audio: Ant»
» Beethoven's Triple Conce»
» How to get a LOT of SET »
» Credibility of digital i»
» About speakers Imbedded »
» Temperature, Humidity an»
» Virginia Tech and Music
» Other Ways of getting Sp»
» Listening to Music with »
» The ultimate buffer – li»
» My subject of envy to au»
» Callas and Tebaldi Compa»
» Micro RX5000: is that be»
» Can a ultimate playback »
» A quests for an ultimate»
» Seven phases in the life»
» BBC broadcasting radio e»
Bookmarked are red
Dazy Web Labaratory
Neal's Recordings
Input Choke & Resonant C»
Holger Klein's Soundpage»
Rachmanionoff's links
Qualiton
The Well Tempered Comput»
The Bruckner Discography
Art Songs and Librettos
Vincent Brient's Sit
Stereopal
George Szell discography
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Tonearm Alignment Method 4739 
It makes sense to a point only. 4738 
Stevenson's Theory 4738 
It is just a theory. 4738 
The Theory and the Proof 4738 
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