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» Van Cliburn Moscow 1958
» Paradoxes of my Racism.
» Think ahead how to measu»
» Problems with horns: mid»
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» The ultimate worst best »
» Too damn loud?
» Riccardo Muti and Chicag»
» Updated view: The Optima»
» Van den Hul famous FAQ c»
» A listening room for a d»
» Why I do not love Mahler?
» The foolishness of multi»
» Analog vs. Digital... wi»
» Rachmaninoff, PC 3; Kond»
» Some Horns propaganda
» November to remember… an»
» Thoughts on midbass horn»
» ESP Concert Grand SI Lou»
» The Lieberson’s Neruda S»
» Asyncronus USB
» Conchita Supervia
» The beauty of Cannibalis»
» About HF Binaurallism
» The Estonian idiocy: Est»
» About DSET-driven multi-»
» Like colourful contrasts»
» Where is "Good enou»
» Ortofon MC Anna cartridg»
» I am thinking about anim»
» EMI rollercoaster across»
» A car with vacuum tube..»
» Digital Equalization
» Any South/Latin American»
» Loudspeakers and headpho»
» Soprano Sally Matthews.
» Jean Hiraga’s cooking of»
» Violin Concertos
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Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
UHF capable tweeters and the moronic conclusions 4245 
PIEZO! 4245 
The long story in short 4245 
Ok. 4245 
Yes, if it is wrong - better be missing 4244 
Table Radio Re-dux 4244 
Defense mode 4244 
Overtones are not fundementals 4244 
The shooter is Mr. Nobody if his gun is defective 4244 
Informity? 4243 
Well said 4243 
The same vs. coordinated. 4243 
What are we coordinating/integrating? 4243 
Vs. the Original Performance? 4243 
I think we are talking about different things here. 4242 
Just an audio dummy? 4242 
"Phase Rotation" vs Listening Area 4242 
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