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» “Zarathustra” amplifier:»
» Closer to the musicians »
» Burn any single-driver s»
» Rightsizing from extreme»
» Tchaikovsky’s “Evgeny On»
» Expectations in the conc»
» Alicia De Larrocha, Bach»
» Weber’s "Andante e »
» An interesting Russian p»
» This new midbass horn di»
» Big mama 1.5" horns»
» Koussevitsky and La Mer
» Do not “compare” audio e»
» D'Agostino/Momentum SS M»
» Preamp/linestage recomme»
» Yarlung Records at 24 bi»
» Macondo Alternation. Ext»
» A book about Loudspeaker»
» Polarity Tester – a must»
» Smetana's Piano Trio
» Phono stages with SU-1
» An angry engineer...
» Maria Callas’s Glory Day»
» Hans Deutsch active acou»
» It is all about hard sur»
» Updated view: The Optima»
» Borbely Audio Take on 6C»
» The Andrew Rose’s “Prist»
» Help FM Broadcast
» A longer turntable belt.
» Bermuda Triangles of Aud»
» The industry-embraced au»
» How to USE “Resonating O»
» Dream Hi-Eff Speakers fo»
» The Krell’s cursed Sound»
» Schroder Tonearms
» Wilson Audio and the Moo»
» The Studio AU projects.
Bookmarked are red
Sound Tourism
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High-End Audio
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Robert Greene’s "Reg on »
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Hughs Ominous Tubes
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George Szell discography
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'Ideal' ceiling height? Is there such a thing? And implications for intended future midbass project? 4969 
Since when specificity has became a bitch? 4969 
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