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» Horn high-sensitively ar»
» D'Agostino/Momentum SS M»
» My new favorite "Ne»
» An ultimate horn profile?
» Buying a last cartridge.
» A proper implementation »
» Dvorak Piano Quintet
» A new CES 2010 loudspeak»
» Who inherit Mocondo or a»
» Lavardin discovery
» Resonating hi from overs»
» Scientific vs. audio act»
» 23Hz mono horn project.
» Beethoven's Triple Conce»
» Shock-absorbing tube soc»
» How to get a LOT of SET »
» Crane Radio CCE2
» Understanding Line Array»
» An idea of Individual Re»
» The ULF cannel for my ne»
» How Piazzolla should sou»
» Sarah Chang last night a»
» The Classical Music Caf&»
» Class “D” – the industry»
» Macondo Horns: biography.
» The Daniel Hertz M1 ultr»
» Digital Equalization
» About DSET-driven multi-»
» Just-Sound of Audio vs. »
» The concrete midbass hor»
» The Hand Clapping by Fra»
» Custom enclosure?
» Cessaro Gamma II and Ome»
» Micro Seiki SZ-1T
» Open cell foam in horns »
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» Romy, how does the origi»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
Johannes Brahms - Symphony No.4, Carlos Kleiber, Wiener Philharmoniker 5707 
Exit - in case of Brahms? 5707 
Not all of Brahms is 'lost in Nowhere-Land'... 5707 
The context 5707 
Up For Another Example? 5707 
They are the hell of sensations…. 5707 
Good inputs... 5706 
All of those Brahmasenian conversations... 5706 
Did anybody observe that Brahms comes with waves? 5233 
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