This weekend I discover interesting phenomena on which I did not pay attention before. The Montrealian Charles Dutoit conducted this weekend Boston symphony. I was listening the broadcast, recording it as usually. It was very bad. The BSO wind section butchered everything they could, particularly brasses that played 6 wrong notes out of any 10 notes. It might sound like a high-school Budweiser-loaded fun ….if it would not be coming for the most paid orchestra in US! Damn, it WAS disgusting! When they opened up with Rimsky-Korsakov Easter Overture I took for me a few seconds to figure out if they stat already to play or if they still keep tuning the orchestra…
Anyhow, after the broadcast I was doing something and ended up with Tannoy Reds connected. Since the Lavry was warmed I started to play the opened file off my hard drive with the Dutoit/BSO. In few minutes I realized that off-the pitch playing the BSO’s horns and trumpets did not bother me so much. I stopped the player and listen it again this time carefully. Sure, all wrong notes were there but total listening was near tolerable… I began to wonder….
The only difference between my initials very negative listening experience an my following tolerable experience was that first was “live” but second was off my DAW in 24/88. Also, the different was that the first I was listening Macondo (driven by Super Milq) and the second on Tannoy Reds (driven by full-range Milqs). I turned on the Super Milq, warmed it up and played the same file. Now, the “tolerable” effect went away and each single wrong note begun to scream about itself with the force of a thermonuclear exposure. A switched it back to the Reds and all wrong notes sunk into a smooth Tannoyness. Sure, they were still the wrong notes but they kind of did not bother me…
Interesting observations… I wonder what Macondo does that wrong pitches so much stick out the whole sound? Both speakers are driven with the same amps. So, what would it be? The drivers? The horns topology? The crossovers? Go figure..
Also, if Reds could make wrong notes do not bother listener’s awareness then can I make a speaker that would make my own barbarically-Moronic play to qualify as a nominee for the Chopin Piano Competition?The Cat
"I wish I could score everything for horns." - Richard Wagner. "Our writing equipment takes part in the forming of our thoughts." - Friedrich Nietzsche