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Site News: 17 May 2026

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Random Site's Threads
» Tchaikovsky: Symphony No»
» Romy the Cat’s Audio Hom»
» About the Critical Audio»
» Learn to listen your lis»
» A full-range quality-tri»
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» Why David Robertson does»
» A fundamentally faulty J»
» Vitavox S2 with Electrom»
» European Triode Festival»
» Disregard Digital with V»
» Driver tubes, grid leak »
» Paganini's Daemon : A Mo»
» Earl Geddes: Horny Book
» I do not know what else »
» The objectives of Einste»
» Where high-end audio sta»
» To Milq builders: correc»
» Low output MC?
» The pianist Yuja Wang … »
» High-End Audio. The thir»
» Hans Zenders’ orchestrat»
» Ravel's String Quartet; »
» For one day only
» FM Acoustics: The most i»
» High-End Audio Bass: wha»
» Lavardin discovery
» My old Fi-Hi gear associ»
» The “Dead Points of Live»
» Another horn manufacturer
» The Ridiculous Japa-Braz»
» Simpson Microphones thre»
» A new amplifier from Aud»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques

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Classical events in Boston
AUG 1 BU Tanglewood Instit»
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AUG 1 Light & Shade in Var»
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My Audio Leftovers
SME M2 - 12" Tonearm wi»
Korvet “Egg” Tonearm
Musatex’s Bidat Model "»
CEC TL-0 MK2 transport
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Vitavox AK-15/40 15" ba»
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Micro Seiki RX-5000
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