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» The irony of playback ph»
» Fuck you, the Shunyata's»
» Disregard the industry p»
» Why Horn loaded systems?!
» Bruckner, Wind and the w»
» Kharma Speakers as pH-in»
» My trip to the Stereophi»
» Dannoy and oxytocin...
» My current conductor obs»
» Audio clubs in London, T»
» Like colourful contrasts»
» The Full (fuller) Range »
» A phenomenal find: Garvi»
» The "non-winner&quo»
» Kalinnikov’s First Symph»
» Macondo's Axioms: Horn-l»
» Long time due: Digital P»
» My reading for a “smalle»
» My CES
» The Audio of 21 century:»
» Playback and Perception »
» Macondo Horns: biography.
» Dedicated Music Room Bui»
» There is no need to say »
» Chopin's Waltzes, Witold»
» How to make a music pers»
» Single-stage Melquiades »
» A tale of two DACs
» New Lynx A/D and D/A pro»
» Why GOTO do not care abo»
» Orphean horns of bd desi»
» What is the best or rule»
» A great conductor - but »
» Orchestra of 32 Loudspea»
» Lowther Driver
» The BBC program about gr»
» About destiny of “High-E»
» Avantgarde method of cap»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques

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