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Random Site's Threads
» Danley's optimised paral»
» To drive the 6C33C...
» Crossover Design
» Modifying TAD 2404
» Midbass injection channel
» The Expressive Technolog»
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» Strings reinforced sound»
» First Bruckner listening»
» EnABL: Just a note to aw»
» Entereing the "Desi»
» LPs & CDs Storage.
» Hi-Fi Mini Systems
» Remote control, problems»
» In interesting new compa»
» In Praise of Infidelity »
» Adding one more non-sphe»
» European Triode Festival»
» A world class deaf percu»
» Another (outdoorsy) swea»
» "It" Thread
» My current conductor obs»
» Deficiency of sensible a»
» Multiple EQ curves of A»
» Focal-Jmlab – the Utopia»
» A lucidly implemented di»
» The contemporary pressin»
» Winter storm & Casals
» Gershwin's Rhapsody in B»
» About my listening habit»
» Recording options: Pacif»
» 5 Channel Version of Mel»
» Building Melquiades: Chr»
» My new “New” listening r»
» Mahler 3 and BPO.
» Who has best sound in Hi»
» Horns with contra-profil»
» Friedrich Kuhlau and his»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques

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Classical events in Boston
APR 11 Benjamin Zander, con»
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My Audio Leftovers
Electro-Voice T350 twee»
Micro-Seiki air-suspend»
Kenwood L-02T FM Tuner
Vitavox S2/S3 diaphragms
Pacific Microsonics Mod»
Stage Acompany SA8535 d»
Lamm ML-2 Single-Ended »
Altec 515B bass drivers
ESS AMT-1A Heil Air Mot»
Micro Seiki RX-5000
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