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Site News: 17 May 2026

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Random Site's Threads
» A horrible re-performanc»
» My trip to the Stereophi»
» Brahms [piano] Concerto »
» Crossover Design
» Tuners and digital noise»
» "Seamless extended »
» Building “Zarathustra II»
» MTT’s Mahler at 180 ghra»
» The Shielding Condoms on»
» Today’s SACD - music for»
» Janine Jansen Violin
» A fresh take on 9th by t»
» Observations and Thought»
» Creative listening
» Problems with horns: upp»
» Like theese?
» Digital crossovers self-»
» Paganini's Daemon : A Mo»
» Beethoven PC 5 Surprise »
» Günter Wand Intervi»
» Forward in the past with»
» High Pass Inductors
» Bill Gaw: over 50 years »
» TU-X1 setup
» The RCA’s 6C33C sockets?
» Getting Started with Mya»
» The evil of low sensitiv»
» Does horn surface porosi»
» Shi-Yeon Sung and BSO
» THe Audio Critic Magazine
» Experimental horn
» Non-MDF horns
» Levels of High End Audio»
» About reviewer’s qualifi»
» Borbely Audio Take on 6C»
» Measuring reality: empir»
» Loenid Kogan
» Gould's Goldberg Variati»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques

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Classical events in Boston
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My Audio Leftovers
Rohde & Schwarz EU-6201»
Sansui TU-X1 Tuner
Micro-Seiki Arm Board
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Lamm Industries M1.1 Mo»
Micro-Seiki air-suspend»
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