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» Future of high-end audio
» Any good sounding AES/EB»
» The low-power SET and de»
» An ultimate horn profile?
» VTL TL-7.5 Reference: Hi»
» Reflections pattern in C»
» Brahms' Magelone Songs
» New show in US, some new»
» 1st Guitar Thread
» Reel-to-Reel Tape vs. Ra»
» REL Precedent Tuner - An»
» Subjective evaluation of»
» Classic Artc Showcase St»
» My new “New” listening r»
» Choosing Someone to Refu»
» My feelings about new ex»
» The Classical Music Caf&»
» Lamm introduced LL1 Sign»
» Pham Thanh Cuong's playb»
» Dvorak Piano Quintet
» Fuck you, the Shunyata's»
» Horn speaker with dipole»
» Listening rooms and comp»
» 47 Lab new turntable and»
» The most complicated que»
» To be or not to be.
» Need A audio connector &»
» Lecture on history of ar»
» Wagner and loudness.
» About audio Crashes.
» How to build the best au»
» Some horn writing by Tho»
» The Home Theater thought»
» The Bruckner 5 by Benjam»
» Custom UPS.
» Romy's Horns
» Double enclosure or usin»
» Top Recordings of All Ti»
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Pjay's Speaker building »
The Cartridge Database
Haenssler Classic
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Classical Composers
BuyWell CDss
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Value of Records Tool
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Sansui TU-X1 Tuner
Micro-Seiki air-suspend»
Hillock TV-2 tube tester
Altec 808A compression »
CEC TL-0 MK2 transport
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Electro-Voice T350 twee»
Fane Studio 8 dual conc»
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Korvet “Egg” Tonearm
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