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» The Audio of 21 century:»
» The period DHT tubes and»
» Stupid SME question abou»
» HDTracks- 50% Off of any»
» Additive capacitance: mi»
» Observations and Thought»
» His Master Voice’s Shade»
» 3 ways how I listen to m»
» Mozart: "Cosi Fun T»
» Computer Audio - like ev»
» GoodSoundClub – one year»
» Midbass Horns and Real E»
» What’s up with these gia»
» 4-way horn system Prelude
» San Francisco in Februar»
» DHT driver & input
» A new film about Karajan
» Ludwig van Beethoven &qu»
» Electro-Voice T350, T35,»
» Audio system: my path to»
» The SACD and the Windows»
» German Odeon horns.
» I am not a Nostradamus, »
» Semi-Interesting film fr»
» Macondo 3.0
» Phoenix
» Horn length/expansion/gr»
» Time Alignment : Live Pe»
» Putin or Medvedev?
» DRU Tube for Melq’s HF c»
» Soprano Sally Matthews.
» Driver Alignment, and Wh»
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Classical Music Forum
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GS Tube
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Ortofon Mono CG 25 Di c»
Hillock TV-2 tube tester
Vitavox S2/S3 diaphragms
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SME M2 - 12" Tonearm wi»
Altec 515B bass drivers
Sansui TU-X1 Tuner
Stage Acompany SA8535 d»
LF Transformer for 6C33C
Koetsu Onyx Platinum Ca»
Lamm L2 Reference pream»
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