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» Tokyo Opera City Concert»
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» Education vs Magic
» WGBH Opera Bash 2009
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» 45Hz Bass Horn
» Who has best sound in Hi»
» A cutoff horn loudspeake»
» About speakers Imbedded »
» Gould's Piano
» The LCR RIAA correctors
» Wagner and loudness.
» The Active High Frequenc»
» Always check power-line »
» The global live televisi»
» Harry Pearson new round »
» The Free Intent Audio Jo»
» Sibelius VC; Furtwangler»
» Josh: My visit to Romy t»
» Living Voice Loudspeaker
» Audio Enigma Variation
» Bach Piano Concertos, 1,»
» Use absolute polarity as»
» I wish I could speak Ger»
» Has anyone built the DIY»
» The commercial music ser»
» The elusive “absolute to»
» The Norman Lebrecht’s ar»
» A quest for a better mon»
» More about the EdgarHorn»
» Experience Music Horn In»
» Pop-music as a side-disc»
» Audio and Music: four le»
» A truly cool solution fo»
» A great conductor - but »
» The mystery of Koetsu On»
» Audio critique – open yo»
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Dr. Bruce Edgar Interview
Norman Lebrecht's blog
The Soul of Sound
About FM Antennas
Duntech Audio loudspeake»
Boston Philharmonic Orch»
ECC99 - 6C33C SET
Direct Heated Rob
Takashi Asahina Group
OperaGlass
Electron Tube Data sheets
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
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Micro-Seiki Arm Board
Korvet “Egg” Tonearm
Musatex-TP Bidat 20-Bi»
Altec 515B bass drivers
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Rohde & Schwarz MSDC Mu»
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