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» Compression drivers and »
» The great Corus performa»
» Audio Shopping vs. Piano»
» Speakers: a hi-fi disast»
» JMLC horns profile?
» The new CEC TL1 transpor»
» Rod Poole 1962-2007
» Schubert's Dancing Cats
» Belcea Quartet
» What’s up with these gia»
» If you've never heard th»
» Beware of the monophonic»
» Interesting diffuser sof»
» Rachmaninoff PC 2: Conce»
» Cleaning my PP2000
» Le C'leach horn rear cha»
» RCA’s Sound And The Story
» Copyright protection for»
» About the thoughtfulness»
» Suggested target curves »
» Making of a Steinway.
» Those Video broadcasts f»
» Bookshelf Horns
» Why horn-loaded loudspea»
» Live memories of Live br»
» A big room with good aco»
» The beauty of Cannibalis»
» Some thoughts about bass»
» Think how a playback com»
» Equalizer? Hm…
» Course & guide on ho»
» Crossover or non-crossov»
» Very in depth considerat»
» Tannoy Red or Gold monit»
» Hmmm... the sad truth ab»
» New speaker system
» What TRULY high-audio p»
» 4-way horn system Prelude
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StateWork Broadcast Reco»
Sound Tourism
Doremi CD label
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High-End Audio
Sibelius Academy music l»
Neal's Recordings
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Lamm ML-2 Single-Ended »
Musatex’s Bidat Model "»
LF Transformer for 6C33C
Altec 515B bass drivers
Stage Acompany SA8535 d»
Lamm L2 Reference pream»
Electro-Voice T350 twee»
Kenwood L-02T FM Tuner
Musatex-TP Bidat 20-Bi»
Sansui TU-X1 Tuner
Fane Studio 8 dual conc»
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