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Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Beware of "Higher F»
» I do not know what else »
» Relief from micro-arcing»
» Don’t "use" VTA
» Liszt’s symphonic poems.
» Polarity Tester – a must»
» Reel-to-Reel Tape vs. Ra»
» How to train respect aud»
» True High-End Audio: Ant»
» Micro Seiki MAX 282 Ques»
» Used car salesman as a d»
» Show Report PiS Fest
» SME M2-12 tonearm
» The "artificially&q»
» Audio vs. Musical pitch
» 45Hz Bass Horn
» JBL 2490 mid-range driver
» Macondo’s MiniMe or abou»
» Summer Refreshment; the »
» Berlioz Requiem / Pavaro»
» Reinforced live sound in»
» The “guest musician opin»
» A Simple Question (or 3)»
» RCA’s Sound And The Story
» A lucidly implemented di»
» Altec Model 19 in Boston.
» VoES
» High Definition Tape Tra»
» Audio equipment vs. live»
» Danley's Hyperion
» Why I hate HornResp.
» OK, digitechs, why won't»
» Sound of line level filt»
» Kenwood L-02T and the hy»
» Horns and digital crosso»
» How idiots destroy sound.
» 3012 silicon dumping
» Oliver Sacks' "Musi»
Bookmarked are red
ElecroVoice’s Vintage Pr»
BuyWell Australia's Clas»
About FM Antennas
The Leonard Cohen Files
Bruce Edgar's Edgarhorn »
Neal's Recordings
Orchestra of the Age of »
MusicStack
Dazy Web Labaratory
Parnassus Records
MusicWeb
Wood Horn Speakers
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Stage Acompany SA8535 d»
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Kenwood L-02T FM Tuner
Electro-Voice T350 twee»
Purist Audio Design Pro»
Sansui TU-X1 Tuner
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“Tree Blind Mice” colle»
Ortofon Mono CG 25 Di c»
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