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» A contemporary great CD »
» New set-up causing major»
» Double enclosure or usin»
» Audiophiles are Happy or»
» The CES's 2011 horns
» The dynamic range of our»
» Question on speakers
» There is Bruckner and th»
» Coral x-viii
» How to USE “Resonating O»
» CEC TL0 3.0 trasport
» The Dark Hope of Renee F»
» Discovered a great chora»
» Micro Seiki SX777 Air Re»
» Two channels (tweeter an»
» Bid Midbass Asian Horns
» The DSET perspective exa»
» GoodSoundClub – one year»
» Audio cabinet of curiosi»
» Critique audio performan»
» Transition : Driver to t»
» 2+3 surround sound??
» Yamaha 6681B
» A great conductor - but »
» Credibility of digital i»
» The commercial music ser»
» Playback evaluations mad»
» A DSET is better then an»
» Adding one more spherica»
» Monitors: Wishful thinki»
» Woofers cone repair – a »
» Liszt Piano Sonata &»
» Beethoven IX and Fü»
» Non-Jewish Jewish music »
» Say “no” to the light to»
» How the things are getti»
» Pacific Microsonics Mode»
» It’s mad, mad, mad... e»
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Spinning Dog Records
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APR 29 NEC Philharmonia in »
APR 30 Dima Slobodeniouk, c»
APR 30 Semiosis String Quar»
APR 30 Facets in Cambridge »
AUG 1 BU Tanglewood Instit»
AUG 1 Mozart: The Marriage»
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Purist Audio Design Pro»
Sansui TU-X1 Tuner
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Lamm ML-2 Single-Ended »
Koetsu Onyx Platinum Ca»
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Micro-Seiki Arm Board
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