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Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» A right midbass solution»
» A minor Audio depression»
» The real goals of sound »
» German Odeon horns.
» The need for a balanced »
» Very interesting
» How to make a playback t»
» Dinsdale Horn Design Art»
» Why second tonearm/cartr»
» Smyth Research Realiser »
» The Krell’s cursed Sound»
» Some thoughts about Milq»
» Rullit Aero-8 driving – »
» Lutoslawski Concerto for»
» Non-MDF horns
» My reading for a “smalle»
» Auro, reverb injection, »
» Remote control, problems»
» Music and Arts of Americ»
» Shostakovich’s 100th bir»
» Woofers cone repair – a »
» A sad day in Greece.
» Purist Audio Design vs. »
» A question to DIY musico»
» DAW drives configuration»
» Amazing Altec 288 ++
» Learn to listen your lis»
» Do the Filament Transfor»
» Where are the full-funct»
» Juana Zayas plays Chopin
» A quest for a better mon»
» Lamm Industries: a speci»
» Wharfedale Super 12/RS/D»
» Silicone gel damping?
» Bach Piano Concertos, 1,»
» Why I do not like the &q»
» Direct to Disc: The Brah»
» Boston and Liszt’s Secon»
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Rachmanionoff's links
Hickok Maintenance
Ron Penndor's Recollecti»
Audio Database
BachTrack
Japanese's HiFiDo
Direct Drive TT
Linkwitz's "Laboratory"
Radiotron Designers Hand»
Lockwood Audio
OperaGlass
American Broadcasting
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Micro-Seiki Arm Board
Fane Studio 8 dual conc»
ESS AMT-1A Heil Air Mot»
Korvet “Egg” Tonearm
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Micro Seiki RX-5000
Pacific Microsonics Mod»
Altec 515B bass drivers
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