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» Bruckner 8, the document»
» MDTunes™ from SoundLab l»
» The sound of Concert Hal»
» Amazing Altec 288 ++
» I have a dream, the drea»
» Cellist Daniel Müll»
» Kevin Brooks Acoustic Sy»
» Benjamin Grosvenor is co»
» Next week in Metropolita»
» Contact-free volume cont»
» Chesky Records went &quo»
» The cPlay software.
» Inner Groove Distortion »
» National Youth Orchestra»
» 47 Lab Digital
» October surprise. NY, NY»
» Minusk: a new Vibraplan?
» We who are about to die.»
» Some conical horns anti-»
» Shall quality-price be r»
» 6C33C myths: audio Moron»
» Interesting non horn spe»
» Looking for the most vin»
» How many channels does a»
» 6C41C – the journey to n»
» Bad, bad, bad 1812 Overt»
» The Lavry Gold DA924 ++
» Chesky's violin concerto
» Bass drivers inquiry
» The Softer Side of a Har»
» Why David Robertson does»
» Small double bass horn f»
» A DSET is better then an»
» Beethoven PVC Trio, Opus»
» Tonality versus Frequenc»
» Dynamic range in histori»
» Multiple Tracks, Each On»
» Ravel's String Quartet; »
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APR 11 Benjamin Zander, con»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 17 In Search of New Wor»
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Stage Acompany SA8535 d»
Electro-Voice T350 twee»
Pacific Microsonics Mod»
Vitavox 330Hz Horn for »
Musatex’s Bidat Model "»
Vitavox S2/S3 diaphragms
Musatex-TP Bidat 20-Bi»
Altec 808A compression »
Koetsu Onyx Platinum Ca»
Altec 515B bass drivers
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