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» European Triode Festival»
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» The beauty of Cannibalis»
» WE15a plans
» Eduardo de Lima is a fre»
» Discovered a great chora»
» "Zaratustra II"»
» CES – constant but fortu»
» About rationalism of twi»
» Mendelssohn, Cello Sonat»
» Kevin Brooks Acoustic Sy»
» Digital recorders: what »
» Double enclosure or usin»
» GoodSoundClub – one year»
» The Classical Music Caf&»
» Designing and building a»
» Anyone know this horn fl»
» The Softer Side of a Har»
» My new “New” listening r»
» Bad, bad, bad 1812 Overt»
» Are Any Powerful Amps Wo»
» Anybody building or usin»
» Nicolai Golovanov
» The “theories” about the»
» The “Inverted High End A»
» Anyone Care to Make Odds»
» Lavry vs Stahl -Tek
» Targeted Audio Listening»
» Some kinky goodies from »
» Lamm ml2 voltage 110v to»
» Some nice horns from Gre»
» Staxquiades project
» Open letter to WGBH.
» The new FM Classical sce»
» Bruckner Sinfonie Nr.8, »
» To drive the 6C33C...
» Better DAW by a “second”»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
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Takemitsu, Toru (8 October»
Domeniconi, Carlo (20 Febr»
Eatock, Colin (20 February»
Crutchley, Ian (20 Februar»
Micro-Seiki Arm Board
Vitavox AK151 15" bass »
Hillock TV-2 tube tester
“Tree Blind Mice” colle»
LF Transformer for 6C33C
Kenwood L-02T FM Tuner
Ortofon Mono CG 25 Di c»
Sansui TU-X1 Tuner
Altec 515B bass drivers
Lamm Industries M1.1 Mo»
Vitavox S2/S3 diaphragms
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