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End of Life Phonostage
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» Bruckner, me and the Sev»
» A lucidly implemented di»
» Another problem in my ne»
» The Verklarte Nacht with»
» Prom 22 - if only all or»
» The one-stage Melquiades.
» Macondo vs. the “industr»
» Tokyo Opera City Concert»
» LLoyd Walker Never Rests
» Nothing Is Perfect
» Configuration from Italy»
» Opera “Boris Godunov”
» Solid State Bass – the m»
» Classical Music for the »
» Romy...thoughts on Lamm »
» Fostex tweeters, Lowther»
» Non-MDF horns
» Mr. Kleen Stylus cleaner
» Holly Proscenium idiocy!
» Mahler 3 and BPO.
» What is wrong there and »
» Rachmaninoff’s Symphony »
» Soundsmith’s analog idea»
» The Edgarhorn RTA respon»
» Software for collection »
» The inflatable speakers »
» The “sounds” that I am l»
» Ways to use audio method»
» There is no need to say »
» Good commercial speakers
» Nice pair of S2s on eBay»
» Hildegard von Bingen on »
» Horn high-sensitively ar»
» “Tool” for Morons ™: Bla»
» Bach and kids…
» Very interesting
» The best Third Movement »
» The High Resolution PCM »
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Thomas Dunker's Site
Retro hi-fi blog
Orchestra of the Age of »
Direct Drive TT
Perer Gulmann's Classica»
The Bruckner Discography
Dr. Olson Tribute Site
Pianist Yakov Kasman
Phono EQ
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APR 11 Benjamin Zander, con»
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Kenwood L-02T FM Tuner
Pacific Microsonics Mod»
Lamm L2 Reference pream»
SME M2 - 12" Tonearm wi»
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Purist Audio Design Pro»
Mid-range tantrix round»
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Micro-Seiki Arm Board
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