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Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
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» VMPS RM V60 – kill me, b»
» Arranging my records col»
» Pikovaya Dama / Queen of»
» Class “D” – the industry»
» A different type of uppe»
» Best recording I heard i»
» About “strangeness” of A»
» Vendors’ Egos.
» Neat reminiscences from »
» More or less pleasure: w»
» Ophelie Gaillard renders»
» 50/40 Altec 604 Duplex B»
» Today: Rachmaninoff in A»
» CATS Purring tempo, slid»
» About the undeveloped au»
» Copper Mat on a Micro Se»
» 7788 tube mic pre design
» Macondo – Super Melquiad»
» Battling stupid Horn Cri»
» Wilson Audio Setup Proce»
» Mozart Concertos; Clarin»
» Tchaikovsky’s “Evgeny On»
» Anyone experimented with»
» 3 ways how I listen to m»
» The Dvorák’s Tone P»
» The "non-winner&quo»
» An angry engineer...
» Danley's optimised paral»
» Evaluation of tractrix c»
» Memories of audio elemen»
» Why second tonearm/cartr»
» A contemporary great CD »
» Tchaikovsky’s “Pathetiqu»
» Stage Music: get clew.
» From bad Opera to good O»
» The Lavry Gold DA924 ++
» FM Acoustics
» Compression drivers saga
Bookmarked are red
ElecroVoice’s Vintage Pr»
Audiomisc
Joachim Raff Society
Max Robinson’s “Fun With»
The Tape Project
Valves Collection
About FM Antennas
Scriabin's Sonatas
Sibelius Academy music l»
Random Classics
Rachmanionoff's links
Holger Klein's Soundpage»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Kenwood L-02T FM Tuner
Korvet “Egg” Tonearm
Vitavox S2/S3 diaphragms
ESS AMT-1A Heil Air Mot»
Altec 515B bass drivers
Fane Studio 8 dual conc»
Musatex-TP Bidat 20-Bi»
Mid-range tantrix round»
Sansui TU-X1 Tuner
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