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Audio Knowledge Tree ™
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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» The remarkable moments i»
» The high-end audio, as i»
» Julia Fischer in Boston »
» Ca(r)t before the horse:»
» Lamm L1 vs. L2 preamp
» Bravo Brahms, Bravo Wand»
» “Zarathustra” amplifier:»
» A new amplifier from Aud»
» I have a dream, the drea»
» High-End Audio and ... p»
» How to record FM broadca»
» How to USE “Resonating O»
» What is wrong there and »
» Macondo’s MiniMe or abou»
» Bruckner at 24bit.
» The Sound assessment rec»
» Reel Machines :-O
» The Rachmaninoff's large»
» My Audio Philosophy
» The Absolute Sound of Au»
» Berlin, Bruckner 8 in Ma»
» TX-103s...
» The Art of Pablo Casals,»
» A fresh take on 9th by t»
» Another 2005 CES standou»
» To be or not to be.
» Compression drivers and »
» A CD off tune? The Big C»
» Revisiting DSP
» Perspective?
» The Thomas Blumenhofer’s»
» About the audio Sources.
» Dinsdale Horn Design Art»
» Dc10audio.
» Nanse Gum and his Euro-A»
» James Levine takes a gre»
» My new horn systems
» SET and speakers: disreg»
Bookmarked are red
Opera America
George Szell discography
The Gustav Mahler Board
GS Tube
Toccata Classics
Takashi Asahina Group
The AHRC Research Centre
Greg Sando’s Site
Former Sirkorski Site
Music & Arts
The Music Parlour
Eugene Ormandy Pages
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Purist Audio Design Pro»
Stage Acompany SA8535 d»
Sansui TU-X1 Tuner
Micro-Seiki MAX-282 To»
CEC TL-0 MK2 transport
ESS AMT-1A Heil Air Mot»
Musatex’s Bidat Model "»
REL Precedent 646C tuner
Altec 515B bass drivers
Korvet “Egg” Tonearm
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