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» The today’s take on Rach»
» Spivakov, NPoR Orchestra»
» From GoodSoundClub, with»
» Which SME 3009?
» Audio vs. Musical pitch
» The Dvorák’s Tone P»
» The 5th horns in stack o»
» New, Transparent Speaker»
» Every crowd has a silver»
» Making of a Steinway.
» A beautiful miller's dau»
» Tosca, Aida, Madama Butt»
» Why the tubes shall be t»
» The best 20 hz bass horn
» Fidelity Research FR-7
» Revisiting DSP
» The elusive “absolute to»
» Long Range Acoustic Devi»
» Lamm Industries: a speci»
» About Darwinism of Music»
» Bach by Ormandy’s Philad»
» Primitive steps for stan»
» Why I hate computer play»
» Reference Recordings “di»
» Romy The Cat's new Liste»
» Dynamic viscose stabiliz»
» The most appalling audio»
» Natural Remedies for Sic»
» Afraid loudspeakers that»
» Summer Refreshment; the »
» Splitting XLR into Multi»
» (monitor vs hifi speaker»
» What drives your musical»
» How many channels does a»
» Kharma Loudspeakers reac»
» There is nothing subject»
» New old records shopping
» A multi-tier audio contr»
Bookmarked are red
Vladimir Lamm Site
Jogis Röhrenbude's Site
Tuners Stereo Surgeons
Technical books online
Input Choke Calculator
Phono EQ
Hi-Fi Speakers Design
WGBH's “Keeping Score”
The National Valve Museum
Classical Collections
The Victor Victrola Page
Audio Anthology
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Micro-Seiki Arm Board
Hillock TV-2 tube tester
CEC TL-0 MK2 transport
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Altec 515B bass drivers
Korvet “Egg” Tonearm
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