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Audio Knowledge Tree ™
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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
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» Jean Hiraga’s cooking of»
» Faital compression drive»
» Tube outputted CDP's and»
» More power from Melquiad»
» Attempt of a playback sy»
» Absolutely the best audi»
» Chostakovich: Concerto »
» TAS article: start of th»
» The New sound of London »
» An interesting Russian p»
» Lavry vs Stahl -Tek
» About DSET-driven multi-»
» My feelings about new ex»
» Looking for different So»
» Loit Eagle Player – the »
» Commercial finished horn»
» The state of High-Effici»
» The ultimate buffer #2..»
» Large Polystyrene Caps
» Records Box Stuffing
» About the audio Sources.
» Zander, BPO, George Li a»
» Life 3.0
» Don't evaluate audio by »
» 60hz, GPA-515-8ghp horn.»
» The single-ended pretens»
» Alessandro Baricco's &qu»
» The contemporary pressin»
» Sound of line level filt»
» “Zarathustra” amplifier:»
» Purist Audio Design vs. »
» Orchestra of 32 Loudspea»
» My subject of envy to au»
» Interesting non horn spe»
» Incorporating active cro»
» Digital recorders: what »
» Crossover or non-crossov»
» Make your own horns?
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Rachmanionoff's links
The Well Tempered Comput»
Furtwängler's conserts
Unofficial Vitavox Site
Boston Philharmonic Orch»
AudioTools
Boom's Dungeon
Audio Anthology
Tchaikovsky's Compositio»
Wolds Opera Broadcasts
Music & Arts
Perer Gulmann's Classica»
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Micro Seiki RX-5000
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