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Audio Knowledge Tree ™
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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» The cut or not to cut, t»
» Ravel Piano Concerto No2
» New sample 24/96 downloa»
» Relief from micro-arcing»
» Artificial Phases Random»
» Has anyone built the DIY»
» Audio and the “Alzheimer»
» An idea of Individual Re»
» Strings reinforced sound»
» Fake Vitavox S2 diaphrag»
» Michelin horns
» The “bread and circus” o»
» Kharma Speakers as pH-in»
» If I were a High-End Aud»
» DIY Void acoustics Air m»
» Appearance of listening »
» Earl Geddes: I can't her»
» SME M2
» RIP Oscar Peterson
» BD-Design’s Orelino
» Fire and Music
» Digital crossovers self-»
» Incorporating active cro»
» High-End Audio demo, the»
» Time Alignment : Live Pe»
» The “Dead Points of Live»
» Our Fuzzy Pussies, Audio»
» Use absolute polarity as»
» Bruckner 9 live in 30 mi»
» My playback’s sound vs. »
» Reviewing preamps by imb»
» Revisiting DSP
» Alessandro Baricco's &qu»
» Some kinky goodies from »
» Software for collection »
» Hans Vonk Legacy
» Jonathan Valin shell be »
» Audio critique – open yo»
Bookmarked are red
Wing Records
GEMM catalog
Toccata Classics
Hub Arts
Linkwitz's "Laboratory"
Audiomisc
Boom's Dungeon
GedLee loudspeakers
Opera America
RAAL ribbons
The Air This Week
Overgrown Path
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Schat, Peter (5 June 1935-»
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Purist Audio Design Pro»
Vitavox AK151 15" bass »
Rohde & Schwarz MSDC Mu»
Musatex-TP Bidat 20-Bi»
Lamm Industries M1.1 Mo»
Vitavox S2/S3 diaphragms
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Lamm L2 Reference pream»
Micro-Seiki MAX-282 To»
Conscience of audio rev»
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