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» October surprise. NY, NY»
» A great conductor - but »
» THE Show, 2016
» Some conical horns anti-»
» JBL Project Array
» There is Bruckner and th»
» DSET and Cables.
» Earl Geddes: Horny Book
» Software for collection »
» New nanotube speaker tec»
» GM70 vs. 6C33C
» The best 20 hz bass horn
» My Audio "Reviewing»
» Excerpt: Beethoven Cello»
» High-End Audio and..... »
» Festival “Son & Imag»
» I need a “second-type” p»
» Tschaikowsky, [Violin] C»
» How the things are getti»
» Any South/Latin American»
» Experience Music Horn In»
» High Quality Music Serve»
» Sound from behind a wind»
» Michael Fremer Continuum»
» EnABL: Just a note to aw»
» Planning my DSET
» Dannoy and oxytocin...
» Bass drivers inquiry
» HELP on a Custom 3 Way H»
» Why I do not love Mahler?
» Practical Guide for Back»
» A perfect "High-End»
» Klipsch Jubilee
» The industry’s high qual»
» Woofer cone materials an»
» Why I hate HornResp.
» Andre Previn in Boston.
» About Moronism in Audio
Bookmarked are red
Pjay's Speaker building »
Doremi CD label
Nornan Lebrecht's blog
Hermann Scherchen discog»
Michelangeli Discography
Ward Marston's "Marston"»
Louis Speichler's Records
Soviet Composers
WGBH's “Keeping Score”
Rottenburger Museen
Classical Composers
Art Songs and Librettos
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APR 12 Chamber Music in Nee»
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