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» Commercial finished horn»
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» BD-Design’s Orelino
» June in Boston with Earl»
» Hässler sonata: Gra»
» High-End Audio vs. High-»
» The meaning of lowest oc»
» NESPA Optical Disc Final»
» WE15a plans
» Configuration from Italy»
» A strange urge.
» First Bruckner listening»
» The Free Intent Audio Jo»
» The invisible sound barr»
» Shelter 901 on SME 309 t»
» My trip to the Stereophi»
» Horn length/expansion/gr»
» High End speakers Evolut»
» Lavry D9a26 Power Supply
» New Horn Speaker Manufac»
» 47 Lab new turntable and»
» Achingly Beautiful Arias
» The tools to listening s»
» Tosca, Aida, Madama Butt»
» Clean and polish gunmeta»
» Shall quality-price be r»
» If you were to start fro»
» The realty of UHF and LF»
» A Cardboard Effect.
» Bach's performing space.
» Macondo: new horizons. A»
» Bruckner 9 live in 30 mi»
» An interesting TT link: »
» The last message of audi»
» Does tube preamplifier V»
» Sounds of Science
» The “Melquiades” Sound -»
» Yarlung Records at 24 bi»
Bookmarked are red
Wiener Philharmoniker Di»
Dazy Web Labaratory
Altec divers/horns
Valves Collection
Parnassus Records
Michelangeli Site
Professional Audio Calcu»
Aria Database
The Cartridge Database
Recording Technology His»
Female Composers Site
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Vitavox S2/S3 diaphragms
Lamm L2 Reference pream»
Conscience of audio rev»
Micro-Seiki air-suspend»
Sansui TU-X1 Tuner
Micro-Seiki MAX-282 To»
SME M2 - 12" Tonearm wi»
Koetsu Onyx Platinum Ca»
Vitavox AK-15/40 15" ba»
Vitavox AK151 15" bass »
Kenwood L-02T FM Tuner
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