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Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» "Consensus in audio»
» What constitutes a great»
» About the DAW playback s»
» And a Bruckner 8 the day»
» The dynamic range of our»
» It’s mad, mad, mad... e»
» A sad day in Greece.
» Tubas and Mc-step
» My CES
» Digital Volume Control s»
» High-End Audio demo, the»
» BSO and 192kps
» LF Amplifier in biamping.
» DAW drives configuration»
» Horn loaded ribbons and »
» The irony of playback ph»
» One of the Best Mozart R»
» Brahms Double Concerto
» “A” sound from “B” syste»
» The Rachmaninoff's large»
» About audio hoarding
» A fundamentally faulty J»
» What is interesting abou»
» Lavry D9a26 Power Supply
» Thomas Mayer’s Triamp
» Some kind of Grundig…
» Avantgarde Trio G3 Louds»
» Monophonic bass: myth an»
» Rudolf Barshai conducts »
» Reference Recordings “di»
» Bass impact on Turntable»
» Just Hi.. and my audio b»
» Tannoy's Flagship by Jef»
» John Luther Adams's Beco»
» Playback and chamber mus»
» Audio equipment recommen»
» What is it all about? De»
» Sonic consequences of re»
Bookmarked are red
Technical books online
Michelangeli Site
Hermann Scherchen discog»
Rachmaninoff Photos
JPC CD Store
Classical Music Streams
The AHRC Research Centre
Silent Running Audio
Classic Records UK
Tempo-Electric - Arthur »
Rottenburger Museen
GedLee loudspeakers
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Musatex’s Bidat Model "»
Micro-Seiki Arm Board
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Micro-Seiki MAX-282 To»
Lamm ML-2 Single-Ended »
CEC TL-0 MK2 transport
Altec 515B bass drivers
ESS AMT-1A Heil Air Mot»
Rohde & Schwarz EU-6201»
Stage Acompany SA8535 d»
Sansui TU-X1 Tuner
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