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» Puccini: Tosca
» Sansui TU-X1 Broadcast m»
» Reel-to-Reel Tape vs. Ra»
» Good midbass is complica»
» The “Dead Points of Live»
» Holly Proscenium idiocy!
» Paul McGowan. tubes in p»
» Avid Listener --- Stereo»
» Digital crossovers self-»
» Rim drive?
» Is any interesting audio»
» NESPA Optical Disc Final»
» Dvorak/"Dumky"»
» Allnic Verito MC Phono C»
» How to mitigate the expe»
» To hear Haydn for a firs»
» R22
» Lamm hybrids: M1.2 vs. L»
» Hi-Fi Mini Systems
» The many sounds of a City
» Single Ended Pentode to »
» Six years of continuing(»
» Critique audio performan»
» High-End Audio Topologie»
» Help with Math needed.
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» Do not over-damped your »
» Bruckner 3rd
» Burn any single-driver s»
» Deep-cryogenically treat»
» Rachmaninoff Piano Conc»
» Convergent Legend Preamp»
» Do not “compare” audio e»
» The Opera Room
» I have a dream, the drea»
» Today’s SACD - music for»
» Melequiades PSU
» A new 'chic' foolishness»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
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Vitavox AK151 15" bass »
LF Transformer for 6C33C
Korvet “Egg” Tonearm
Kenwood L-02T FM Tuner
Lamm ML-2 Single-Ended »
ESS AMT-1A Heil Air Mot»
Lamm L2 Reference pream»
Rohde & Schwarz MSDC Mu»
Purist Audio Design Pro»
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Fane Studio 8 dual conc»
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