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Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Abbado + Lucerne Festiva»
» Jaap van Zweden kicks as»
» The new FM Classical sce»
» Looking for something di»
» A new amplifier from Aud»
» Grid bias power supplies
» How Piazzolla should sou»
» The ultimate buffer – li»
» The 5th horns in stack o»
» Julia Fischer in Boston »
» Micro Seiki SX 111FV Pla»
» EMIA Phonostage.
» His Master Voice’s Shade»
» Memory Player Box?
» Tonearm Alignment Method
» Macondo 2.0?
» Is it the time to change»
» Patricia Kopatchinskaja »
» Targeted Audio Listening»
» Shall quality-price be r»
» Direct to Disc: The Brah»
» Altec Model 19 in Boston.
» The Extraordinary Harvar»
» Rare Onkyo HM-300 MK2 Ho»
» Beethoven IX and Fü»
» My Multi-way Horns
» USB microscope for setti»
» Multi-amping crossoverin»
» The Active High Frequenc»
» If you play a guitar…
» Inner Groove Distortion »
» Introduction to “Melquia»
» The last phonocorrector:»
» Yamamura's 6 ways
» Problems with horns: mid»
» Meitner Audio - Ed Meitn»
» Best of the HE2006!!!
» Beethoven PC 5 Surprise »
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Haenssler Classic
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Hi-Fi Speakers Design
George Szell discography
Sound Tourism
Arbiter Records
FM Radio Query
Ward Marston's "Marston"»
Opera Collector Guide
The AHRC Research Centre
Dolmetsch Online
Western Electric manuals
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 12 Chamber Music in Nee»
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