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End of Life Phonostage
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» Bruckner and women
» (Hopefully short) headph»
» The Evolution (or Anti-E»
» Yamaha tuners
» The 24 bits of Christmas
» 2011 Brucknerathon
» Vinyl Ceremonies: Repeat»
» SME M2-12 tonearm
» Interesting non horn spe»
» “Melquiades” amplifier: »
» Taking the mystery out o»
» Looking to brainstorm st»
» Battling stupid Horn Cri»
» Mravinsky/Leningrad from»
» How to read Romy the Cat»
» The mystery of reversed »
» The great Corus performa»
» Who makes good L-Pads?
» A request to all posters»
» The Supernatural Josef H»
» Yep, Bach would do it….
» Liszt’s symphonic poems.
» Prices in High-End Audio.
» Commentary on Joe's »
» Accuracy vs. Musicality »
» Yamaha B-2 V-FET amplifi»
» Russian mythology and Ho»
» Lecture on history of ar»
» Long time due: Digital P»
» GoodSoundClub – one year»
» About cost of electromag»
» Naked Sound and Whether.
» Macondo listening experi»
» Tanglewood 2010
» Macondo vs. the “industr»
» Brahms Double Concerto
» Le Poeme Harmonique
» Tritium Turntables
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The Bruckner Discography
Polish GM70 Poject
ClassicalNet
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Audiofederation's Blog
The Cartridge Database
Wing Records
Orchestra of the Age of »
33+45=78
Berkshire Record Outlet
Takashi Asahina Group
Tchaikovsky's Compositio»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
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APR 12 Takács Quartet in Gr»
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