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End of Life Phonostage
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» Computer Audio - like ev»
» Live vs. Recorded transc»
» Wide dispersion horns
» Splitting XLR into Multi»
» How to build the best au»
» Zeus 6C33C Triode SE Pre»
» What’s up with these gia»
» The RCA’s 6C33C sockets?
» Yamamura's 6 ways
» Parts As Facilitators or»
» The BBC Proms 2009
» How to manage the digita»
» Those little headphones…
» To drive the 6C33C...
» Does tube preamplifier V»
» Eventually - a reasonabl»
» GoodSoundClub – one year»
» Adding one more non-sphe»
» Arsenic bacteria & G»
» The “Dead Points of Live»
» New Shalin Liu Performan»
» Srajan Ebaen and Juicy-C»
» Building a new music room
» The Shielding Condoms on»
» Some thoughts about Milq»
» What is better then Wagn»
» An idea of Individual Re»
» BBC: Composer of the Wee»
» Staxquiades project
» High-End Audio. The thir»
» Crash course on horns an»
» The “guest musician opin»
» Beethoven PC 5 Surprise »
» SME M2-12 tonearm
» Electrostatic tweeter fo»
» Impulse response, short »
» Another Boston Radio Sta»
» How to test 6C33C?
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Orchestra of the Age of »
Qualiton
Turner Audio
Max Robinson’s “Fun With»
Furtwängler's conserts
George Szell discography
Truesound Transfers
THL Audio
Scriabin's Sonatas
Dr. Bruce Edgar Interview
Rradiomuseum
Hughs Ominous Tubes
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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