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Macondo Acoustic System
End of Life Phonostage
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» How to play Bruckner Sou»
» To drive the 6C33C...
» Midbass Horns and Real E»
» Sometimes surface noise »
» “Melquiades” amplifier: »
» The Milq’s power supplie»
» Should I low pass the mi»
» 6C33C myths: audio Moron»
» High-End Audio vs. High-»
» My feelings about new ex»
» "Seamless extended »
» Sound from behind a wind»
» Micro Seiki RX-5000 stat»
» SF audio gurus?
» To Milq builders: correc»
» The Softer Side of a Har»
» My new horn systems
» The centuries old strugg»
» Melquiades For Dummies™ »
» Expensive Audiophilism a»
» The Kato-san's Goto »
» MET Broadcast, season 20»
» A sad day in Greece.
» Which SME 3009?
» How to sell high-end aud»
» Records Box Stuffing
» Baltimore Symphony Appoi»
» Good midbass is complica»
» Modifying TAD 2404
» Andre Previn in Boston.
» Bach's performing space.
» Tritium Turntables
» The differential diagnos»
» DVD for pop, SACD for cl»
» What Is The Minimum for »
» Melquiades: too early fo»
» Horn loaded ribbons and »
» Good small SS amplifier
Bookmarked are red
Eugene Ormandy Pages
Classical Music Streams
Nornan Lebrecht's blog
Glenn Gould Audio Archiv»
Duntech Audio loudspeake»
Wood Horn Speakers
Max Robinson’s “Fun With»
Linkwitz's "Laboratory"
Phono EQ
Exponential/Hyperbolic C»
The Bruckner Discography
Hickok Maintenance
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
Suggested target curves and setup techniques for Pro Audio Digital Equalisers.... 7381 
About the acoustic masochism. 7381 
About audio absolutism, audio relativism and audio pragmatism 7380 
It is more like an audio realism. 7380 
Re: It is more like an audio realism. 7380 
How Stanislavsky would design his speakers? 7380 
Re: How Stanislavsky would design his speakers? 7380 
About the drunk crossovers.... 7379 
Re: About the drunk crossovers.... 7379 
Contacting Thorsten 6366 
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