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Random Site's Threads
» The idiotism of Audio Sy»
» Upperbass horns – tone v»
» The Ralf Stegmueller’s h»
» Liszt’s symphonic poems.
» Additive capacitance: mi»
» The “Primary Frequencies»
» "Consensus in audio»
» The WHRB’s Rimsky-Korsak»
» NAT Audio Magna -160 Wat»
» Tomorrow in Boston: Yout»
» The "Nubianco"»
» What is interesting abou»
» Just Hi.. and my audio b»
» Tchaikovsky’ Death
» Midbass injection channel
» Help with Math needed.
» Mercury Living Presence »
» A new generation of full»
» Miniumum sample rate for»
» Experimental horn
» Vitavox and Goodmans Bas»
» Bravo Brahms, Bravo Wand»
» The iHorn - a passive a»
» The silence after coda
» Pro Audio: JBL SR-4735X
» (monitor vs hifi speaker»
» RAAL “Water Drop” tweete»
» Seven hours of live musi»
» The ultimate buffer – li»
» The girl with banjo - th»
» “How audio might sound”
» Constant directivity = c»
» 3 way Tractrix Horn Buil»
» Primitive steps for stan»
» Electronluv systems ques»
» An evening to remember -»
» A stunning contra-Bruckn»
» How to evaluate playback»
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Classical events in Boston
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My Audio Leftovers
Musatex’s Bidat Model "»
Musatex-TP Bidat 20-Bi»
Stage Acompany SA8535 d»
LF Transformer for 6C33C
Micro-Seiki Arm Board
Fane Studio 8 dual conc»
Electro-Voice T350 twee»
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